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Non-invasive identification of pigments in Japanese coloured photographs
16 references·2 citing·48 second hop
Non-invasive identification of pigments in Japanese coloured photographs (2020)Non-invasive identification of pigments i…Recent Advances on the Analysis of Polychrome Works of Art: SERS of Synthetic Colorants and Their Mixtures With Natural Dyes (2019)Recent Advances on the Analys…A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods (2018)A timeline for the introducti…Portable Raman, DRIFTS, and XRF Analysis to Diagnose the Conservation State of Two Wall Painting Panels from Pompeii Deposited in the Naples National Archaeological Museum (Italy) (2016)Portable Raman, DRIFTS, and X…UV–Vis-NIR and micro Raman spectroscopies for the non destructive identification of Cd 1−x Zn x S solid solutions in cadmium yellow pigments (2015)UV–Vis-NIR and micro Raman sp…Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Reflection infrared spectrosc…Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering (2011)Nondestructive Identification…Markers for Identification of Faded Safflower (Carthamus tinctoriusL.) Colorants by HPLC-PDA-MS - Ancient Fibres, Pigments, Paints and Cosmetics Derived from Antique Recipes (2010)Markers for Identification of…In situ Raman and IR spectroscopic analysis of indigo dye (2010)In situ Raman and IR spectros…Dye Analysis of Shosoin Textiles Using Excitation−Emission Matrix Fluorescence and Ultraviolet−Visible Reflectance Spectroscopic Techniques (2009)Dye Analysis of Shosoin Texti…Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting (2007)Non-invasive in-situ investig…Identification of berberine in ancient and historical textiles by surface‐enhanced Raman scattering (2007)Identification of berberine i…ATR-FTIR imaging of albumen photographic prints (2007)ATR-FTIR imaging of albumen p…Vibrational spectroscopic study of brazilin and brazilein, the main constituents of brazilwood from Brazil (2002)Vibrational spectroscopic stu…Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Fiber Optics Reflectance Spec…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…The Ozone Fading of Traditional Japanese Colorants (1988)The Ozone Fading of Tradition…Preservation and conservation of Chinese fragile silk banners with pioneer spirit: new silk mesh reinforcement (2025)Preservation and conservation…Non-invasive identification of historical textiles and leather by means of external reflection FTIR spectroscopy (2024)Non-invasive identification o…Laser-Induced Fluorescence in Artwork Diagnostics: An Application in Pigment Analysis (1996)Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques (2020)National Gallery Technical Bulletin (1979)A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)Pigment Identification by Fiber-Optics Diffuse Reflectance Spectroscopy (2002)Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy (2007)Dyes in History and Archaeology 41 (2023)Non-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis (2003)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)New Frontiers in Application of FTIR Microscopy for Characterization of Cultural Heritage Materials (2016)Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR (2019)The Organic Chemistry of Museum Objects (1988)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Maya Blue: A Computational and Spectroscopic Study (2005)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts (2012)Pretreatment Strategies for SERS Analysis of Indigo and Prussian Blue in Aged Painted Surfaces (2012)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)Pigment Compendium (2008)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Analytical chemistry in the field of cultural heritage (2015)Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field (2018)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies (2011)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)SERS detection of red organic dyes in Ag‐agar gel (2012)Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper (2014)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Characterization of contemporary and historical acrylonitrile butadiene styrene (ABS)-based objects: Pilot study for handheld Raman analysis in collections (2020)The molecular characterization of early synthetic dyes in E. Knecht et al's textile sample book “A Manual of Dyeing” (1893) by high performance liquid chromatography - Diode array detector - Mass spectrometry (HPLC-DAD-MS) (2021)A Review of Non-Destructive Raman Spectroscopy and Chemometric Techniques in the Analysis of Cultural Heritage (2024)Identification of Red Natural Dyes in Post‐Byzantine Icons by HPLC (2005)Silver colloidal pastes for dye analysis of reference and historical textile fibers using direct, extractionless, non-hydrolysis surface-enhanced Raman spectroscopy (2013)A Spectroscopic Study of Brazilwood Paints in Medieval Books of Hours (2014)
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References

  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
  • 2010In situ Raman and IR spectroscopic analysis of indigo dye133 cited
  • 2011Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering118 cited
  • 2007Identification of berberine in ancient and historical textiles by surface‐enhanced Raman scattering111 cited
  • 2002Vibrational spectroscopic study of brazilin and brazilein, the main constituents of brazilwood from Brazil99 cited
  • 2015UV–Vis-NIR and micro Raman spectroscopies for the non destructive identification of Cd 1−x Zn x S solid solutions in cadmium yellow pigments98 cited
  • 2001Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings95 cited
  • 2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting72 cited
  • 2019Recent Advances on the Analysis of Polychrome Works of Art: SERS of Synthetic Colorants and Their Mixtures With Natural Dyes58 cited
  • 2007ATR-FTIR imaging of albumen photographic prints56 cited
  • 2009Dye Analysis of Shosoin Textiles Using Excitation−Emission Matrix Fluorescence and Ultraviolet−Visible Reflectance Spectroscopic Techniques56 cited
  • 2018A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods

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50 cited
  • 2010Markers for Identification of Faded Safflower (Carthamus tinctoriusL.) Colorants by HPLC-PDA-MS - Ancient Fibres, Pigments, Paints and Cosmetics Derived from Antique Recipes49 cited
  • 2016Portable Raman, DRIFTS, and XRF Analysis to Diagnose the Conservation State of Two Wall Painting Panels from Pompeii Deposited in the Naples National Archaeological Museum (Italy)46 cited
  • 1988The Ozone Fading of Traditional Japanese Colorants46 cited
  • Cited by

    • 2024Non-invasive identification of historical textiles and leather by means of external reflection FTIR spectroscopy12 cited
    • 2025Preservation and conservation of Chinese fragile silk banners with pioneer spirit: new silk mesh reinforcement1 cited