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Abstract In 1832 Ralph Waldo Emerson defined “Nature” as “all that is separate from us,” and, with few exceptions, criticism and biography of Ernest Hemingway to date exemplifies our separation of nature and culture(22). We belive that Hemingway’s most significant milieu was Paris in the 1920s and forger that he grew up in the midst of an environmental awakening as extreme as any America has experienced, in a town where other manifestations of the “back to nature” movement included the prairie architecture of Frank Lloyd Wrightm, the urban parkscapes of Frederick Law Olmstead, and the Tarzan stories of Edgar Rice Burroughs.
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