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Affinity Spaces and Their Host Set Classes
9 references·1 citing·35 second hop
Affinity Spaces and Their Host Set Classes (2009)Affinity Spaces and Their Host Set ClassesMulti-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók (2007)Multi-Aggregate Cycles and Mu…Virtual Segments: The Hexachordal System in the Late Middle Ages (2006)Virtual Segments: The Hexacho…Scale Networks and Debussy (2004)Scale Networks and Debussy:Musica enchiriadis and Scolica Enchiriadis (1997):Musica enchiriadis and Scoli…Regions: A Theory of Tonal Spaces in Early Medieval Treatises (1996)Regions: A Theory of Tonal Sp…Cohn Functions (1996)Cohn FunctionsInterval Cycles as Compositional Resources in the Music of Charles Ives (1990)Interval Cycles as Compositio…The Affinities and Medieval Transposition (1989)The Affinities and Medieval T…Aspects of Well-Formed Scales (1989)Aspects of Well-Formed ScalesA theory of voice-leading sets for post-tonal music (2012)A theory of voice-leading set…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Stravinsky and the Russian Traditions (1996)The Geometry of Musical Chords (2006)S cale T heory , S erial T heory and V oice L eading (2008)Schubert’s Harmonic Language and Fourier Phase Space (2015)Special Collections (2016)The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)Variety and Multiplicity in Diatonic Systems (1985)Generalized Musical Intervals and Transformations (1988)Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues (1996)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Music theory and mathematics (2002)A Formal Theory of Generalized Tonal Functions (1982)Composition With Pitch-Classes (1987)Bela Bartok and Turn-of-the-Century Budapest (1998)Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Contextual-Inversion Spaces (2011)Chick Corea and Postbop Harmony (2016)Basic atonal theory (1980)Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives (1996)The New Grove dictionary of music and musicians (2001)The Structure of Atonal Music (1973)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries (1989)Interval Cycles, Affinity Spaces, and Transpositional Networks (2011)Bartók's Polymodality (2015)On Coherence and Sameness, and the Evaluation of Scale Candidacy Claims (2002)The Rise of 6 in the Nineteenth Century (2002)Tonal prisms: iterated quantization in chromatic tonality and Ravel's ‘Ondine’ (2013)Guido of Arezzo and His Influence on Music Learning (2012)La théorie de la musique (2017)Composing Community in Late Medieval Music (2019)An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory (2004)Mathematical and Musical Properties of Pairwise Well-Formed Scales (2009)Structural properties of Euclidean rhythms (2009)
this work references cited by second hop

References

  • 1989Aspects of Well-Formed Scales170 cited
  • 2004Scale Networks and Debussy79 cited
  • 2006Virtual Segments: The Hexachordal System in the Late Middle Ages58 cited
  • 2007Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók28 cited
  • 1996Regions: A Theory of Tonal Spaces in Early Medieval Treatises27 cited
  • 1996Cohn Functions25 cited
  • 1990Interval Cycles as Compositional Resources in the Music of Charles Ives22 cited
  • 1989The Affinities and Medieval Transposition20 cited
  • 1997:Musica enchiriadis and Scolica Enchiriadis8 cited

Cited by

  • 2012A theory of voice-leading sets for post-tonal music3 cited

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