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The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes
16 references·2 citing·46 second hop
The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes (2020)The Power of Gaze in Music. Leonard Berns…The lexicon of the Conductor's gaze (2018)The lexicon of the Conductor'…Eye gaze and viewpoint in multimodal interaction management (2017)Eye gaze and viewpoint in mul…New Perspectives on Music and Gesture (2016)New Perspectives on Music and…Communicating musical knowledge through gesture: Piano teachers’ gestural behaviours across different levels of student proficiency (2014)Communicating musical knowled…When the first impression counts: Music performers, audience and the evaluation of stage entrance behaviour (2013)When the first impression cou…Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies (2012)Bodily movement and facial ac…Qualitative insights into the use of expressive body movement in solo piano performance: a case study approach (2007)Qualitative insights into the…An exploration of the effects of musical and social factors in piano duo collaborations (2007)An exploration of the effects…Cross-modal interactions in the perception of musical performance (2005)Cross-modal interactions in t…Social and Musical Co-Ordination between Members of a String Quartet: An Exploratory Study (2002)Social and Musical Co-Ordinat…Exploring Co-Performer Communication (2002)Exploring Co-Performer Commun…The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox (2001)The Role of the Body in the P…Gender differences in nonverbal communication of emotion (2000)Gender differences in nonverb…Band Musicians' Performance and Eye Contact as Influenced by Loss of a Visual and/or Aural Stimulus (1994)Band Musicians' Performance a…An investigation of the use of facial expression in conjunction with musical conducting gestures and their interpretation by instrumental performers (1992)An investigation of the use o…The social accomplishment of music in a symphony orchestra: A phenomenological analysis (1981)The social accomplishment of …Multimodality and Music Performance. The Lexicons of Gesture and Gaze in Orchestra and Choir Conductors (2022)Multimodality and Music Perfo…The conductor’s intensity gestures (2020)The conductor’s intensity ges…Observing Interaction: An Introduction to Sequential Analysis (1988)The Dynamics of Intense Work Groups: A Study of British String Quartets (1991)Long-term working memory. 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(1993)Performing Rites (1996)The movements made by performers in a skilled quartet: a distinctive pattern, and the function that it serves (2013)Musicians’ perceptions and experiences of using simulation training to develop performance skills (2016)Moving to Communicate, Moving to Interact: Patterns of Body Motion in Musical Duo Performance (2019)Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries (1987)Instrumental Gesture in Chopin’s Étude in A-Flat Major, Op. 25, No. 1 (2012)The reciprocal relationship between jazz musicians and audiences in live performances: A pilot qualitative study (2012)Social Facilitation (1965)The Repertoire of Nonverbal Behavior: Categories, Origins, Usage, and Coding (1969)Flow: The Psychology of Optimal Experience (1991)A simplest systematics for the organization of turn-taking for conversation (1974)A simplest systematics for the organization of turn-taking for conversation (1974)Constructions: A Construction Grammar Approach to Argument Structure (1995)Viewpoint phenomena in multimodal communication (2017)La mirada y los recursos lingüísticos en contacto (2021)The Role of Eye Gaze in Regulating Turn Taking in Conversations: A Systematized Review of Methods and Findings (2021)Gender Development (2007)Gender differences in brain networks supporting empathy (2008)Social network determinants of depression (2010)How Language Began: Gesture and Speech in Human Evolution (2012)Improvisation in teaching and education—roots and applications (2016)Enacting Musical Time (2019)
this work references cited by second hop

References

  • 2005Cross-modal interactions in the perception of musical performance306 cited
  • 2000Gender differences in nonverbal communication of emotion270 cited
  • 2002Social and Musical Co-Ordination between Members of a String Quartet: An Exploratory Study257 cited
  • 2002Exploring Co-Performer Communication234 cited
  • 2016New Perspectives on Music and Gesture208 cited
  • 2012Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies204 cited
  • 2001The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox124 cited
  • 2007Qualitative insights into the use of expressive body movement in solo piano performance: a case study approach122 cited
  • 2017Eye gaze and viewpoint in multimodal interaction management108 cited
  • 2007An exploration of the effects of musical and social factors in piano duo collaborations78 cited
  • 2013When the first impression counts: Music performers, audience and the evaluation of stage entrance behaviour67 cited
  • 2018The lexicon of the Conductor's gaze41 cited
  • 1981The social accomplishment of music in a symphony orchestra: A phenomenological analysis36 cited
  • 1994Band Musicians' Performance and Eye Contact as Influenced by Loss of a Visual and/or Aural Stimulus

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35 cited
  • 2014Communicating musical knowledge through gesture: Piano teachers’ gestural behaviours across different levels of student proficiency28 cited
  • 1992An investigation of the use of facial expression in conjunction with musical conducting gestures and their interpretation by instrumental performers24 cited
  • Cited by

    • 2020The conductor’s intensity gestures30 cited
    • 2022Multimodality and Music Performance. The Lexicons of Gesture and Gaze in Orchestra and Choir Conductors2 cited