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This article explores the connections between the spaces of exception along national borders and the bordered architecture of graphic narratives in Charles Bowden and Alice Leora Briggs' Dreamland: The Way Out of Juárez (2010) and Jon Sack's La Lucha: The Story of Lucha Castro and Human Rights in Mexico (2015).
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Stored only when both papers are in the corpus — 6 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.