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The Phenomenology of Aesthetic Experience.
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The Phenomenology of Aesthetic Experience. (1975)The Phenomenology of Aesthetic Experience.Resisting Aesthetic Autonomy: A “Critical Philosophy” of Art and Music Education Advocacy (2019)Resisting Aesthetic Autonomy:…Defining Twentieth- and Twenty-First-Century Music (2017)Defining Twentieth- and Twent…Defining Creativity with Discovery (2017)Defining Creativity with Disc…Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression (2016)Film and the Phenomenology of…Understanding More Fully: A Multimodal Hermeneutic-Phenomenological Approach (2014)Understanding More Fully: A M…Spaces, Gaps, and Levels (2012)Spaces, Gaps, and LevelsTouring Havana in the Work of Ronaldo Meneĭndez (2011)Touring Havana in the Work of…Special Section: Rethinking Visual Pleasure (2007)Special Section: Rethinking V…Empathy and the Ethics of Entitlement (1991)Empathy and the Ethics of Ent…New Research Paradigms (1989)New Research ParadigmsThe principles of psychology, Vol I. (1890)Researching Lived Experience: Human Science for an Action Sensitive Pedagogy (1990)InterViews learning the craft of qualitative research interviewing (2008)A model of lived experiences and geographical consciousness based on Namibian secondary school learners’ perspectives (2023)Beyond voice: An onto-epistemological analysis of maternal transition inquiry (2023)Framing a feminist phenomenological inquiry into the lived experiences of women entrepreneurs (2024)The Dialogic Imagination: Four Essays (1981)Problems of Dostoevsky's Poetics (1984)Problems of Dostoevsky's Poetics (1985)Charting alternative performance and evaluative practices (1995)Performing absence: The staged personal narrative as testimony (2000)Visual Pleasure and Narrative Cinema (1975)Affect, imagery, consciousness, Vol. 1: The positive affects. (1992)Beyond the Pleasure Principle (2015)Languages of Art, an Approach to a Theory of Symbols (1970)Audio-vision: sound on screen (1994)Narration in the Fiction Film (2013)Story-Music / Discourse-Music: Analyzing the Relationship between Placement and Function of Music in Films (2016)Popular Music, Stars and Stardom (2018)Was uns die Töne erzählen: Narratologie und Filmmusik (2018)The Address of the Eye (1992)Mind and Cosmos (2012)The Creative Mind (2004)Creativity in context (2009)The Standard Definition of Creativity (2012)Archaeology of Knowledge (1970)The Postmodern Condition: A Report on Knowledge (1984)The Location of Culture (2012)Contemporary Music and Its Futures (2020)Looking Towards the Future: Popular Music Studies and Music Scholarship (2020)Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition (2023)The field of Cultural Production (2002)Distinction: A Social Critique of the Judgement of Taste* (2018)Transformation of educational introspection: evaluation of the current situation and development of basic music education in China (2024)Art as Experience (1934) (2026)Place and Placelessness (1978)A Social Psychologist Discovers Chicago Sociology (1989)How Societies Remember (1989)Havana: Going Public, No Matter What (2019)The Structure of Scientific Revolutions (1963)Ontological Relativity and Other Essays (1969)The Interpretation of Cultures (1974)
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Cited by

  • 2014Understanding More Fully: A Multimodal Hermeneutic-Phenomenological Approach89 cited
  • 2017Defining Creativity with Discovery59 cited
  • 2012Spaces, Gaps, and Levels46 cited
  • 2016Film and the Phenomenology of Art: Reappraising Merleau-Ponty on Cinema as Form, Medium, and Expression27 cited
  • 1991Empathy and the Ethics of Entitlement16 cited
  • 2017Defining Twentieth- and Twenty-First-Century Music14 cited
  • 2019Resisting Aesthetic Autonomy: A “Critical Philosophy” of Art and Music Education Advocacy7 cited
  • 2007Special Section: Rethinking Visual Pleasure7 cited
  • 2011Touring Havana in the Work of Ronaldo Meneĭndez3 cited
  • 1989New Research Paradigms3 cited

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