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RETRACTED ARTICLE: A new light on the grounds, pigments and bindings used in ancient Egyptian cartonnages from Tell Al Sawa, Eastern Delta, Egypt
16 references·2 citing·32 second hop
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References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 1963Ancient Egyptian Materials and Industries549 cited
  • 1948Ancient Egyptian Materials and Industries547 cited
  • 2007Analytical Techniques in Materials Conservation262 cited
  • 2009The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging170 cited
  • 1983Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology151 cited
  • 2008The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia135 cited
  • 2008Examination of some pigments, grounds and media from Egyptian cartonnage fragments in the Petrie Museum, University College London105 cited
  • 2008Chromatic alterations of red lead pigments in artworks: a review105 cited
  • 1999Fabrication processes of archaeological Egyptian blue and green pigments enlightened by Raman microscopy and scanning electron microscopy93 cited
  • 1995Spectrochemical and structural studies on a roman sample of Egyptian blue90 cited
  • 2008Multispectral and hyperspectral image analysis of elemental and micro-Raman maps of cross-sections from a 16th century painting77 cited
  • 1985Color Terminology and Color Classification: Ancient Egyptian Color Terminology and Polychromy74 cited
  • 2004The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome

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72 cited
  • 2004Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts70 cited
  • 2001Micro-PIXE analysis of an ancient Egyptian papyrus: Identification of pigments used for the “Book of the Dead”69 cited
  • Cited by

    • 2021New insights on plasters, pigments and binder in mural paintings of the Setka tomb (QH 110), Elephantine, Aswan, Upper Egypt9 cited
    • 2022New insights into a polychrome Middle Kingdom palette applied to a wooden coffin: A multidisciplinary analytical approach8 cited