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Comics provide a promising platform for technical communication, but there are limits to their affordances. This article demonstrates some of the limits using Robert Sikoryak’s Terms and Conditions, a graphic adaptation of Apple’s iTunes Terms and Conditions. Using discourse analysis, it argues that Sikoryak’s adaptation, while an impressive piece of art, is not an example of accessible user agreement as media reports claim. The article concludes with practical implications on producing comics-style technical communication.
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Stored only when both papers are in the corpus — 7 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.