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Reconstructing Ancient Polychromy: The Beauty of Palmyra
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Reconstructing Ancient Polychromy: The Beauty of Palmyra (2020)Reconstructing Ancient Polychromy: The Be…The rarest blue: An exceptional find of lapis lazuli in the polychromy of a funerary portrait from ancient Palmyra (2020)The rarest blue: An exception…Egyptian blue: modern myths, ancient realities (2016)Egyptian blue: modern myths, …The “Beauty of Palmyra” and Qasr Abjad (Palmyra): new discoveries in the archive of Harald Ingholt (2015)The “Beauty of Palmyra” and Q…The Tomb of the Three Brothers in Palmyra: The Use of Mimetite, A Rare Yellow Pigment, in A Rich Decoration (2014)The Tomb of the Three Brother…The Palmyra Portrait Project (2014)The Palmyra Portrait ProjectThe spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging (2009)The spatially resolved charac…Post-capture data analysis as an aid to the interpretation of ultraviolet-induced fluorescence images (2008)Post-capture data analysis as…The Jewellery of Palmyra and Its Significance (1949)The Jewellery of Palmyra and …Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology (1983)Ancient Mesopotamian materials and industries: the archaeological evidence (1995)Pigment Compendium: A Dictionary of Historical Pigments (2007)Polychromy in Africa Proconsularis: investigating Roman statues using X-ray fluorescence spectroscopy (2017)Raman identification of cuneiform tablet pigments: emphasis and colour technology in ancient Mesopotamian mid-third millennium (2017)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Fluorescence of Paint and Varnish Layers (Part III) (1982)Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple (2000)Non-Destructive Microanalysis of Cultural Heritage Materials (2004)Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork (2010)A review of ancient Egyptian pigments and cosmetics (2015)Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Pigments of English medieval wall painting (2007)The ‘Treu Head’: a case study in Roman sculptural polychromy (2010)Visible-induced luminescence imaging: A user-friendly method based on a system of interchangeable and tunable LED light sources (2015)Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai’s ‘Red Fuji’ (2019)Les notables de Palmyre (2002)L’Empire gréco-romain (2005)Gesture and Identity in the Funerary Art of Palmyra (2010)Public and Private in Ancient Mediterranean Law and Religion (2015)Representations of Priests in Palmyra: Methodological Considerations on the Meaning of the Representation of Priesthood in the Funerary Sculpture from Roman Period Palmyra (2016)The World of Palmyra at Copenhagen (2016)Micro‐Raman spectroscopy of carbon‐based black pigments (2012)The materialisation of colour: Reconstructing Egyptian blue manufacture on late Hellenistic Kos (2022)Minero‐chemical and provenance analysis of Achaemenian lapis lazuli cylinders from Persepolis (2023)Representations of the so-called “Former Priests” in Palmyrene Funerary Art. A Methodological Contribution and Commentary (2017)“The Ingholt Archive. Data from the Project ‘Archive Archaeology: Preserving and Sharing Palmyra’s Cultural Heritage through Harald Ingholt’s Digital Archives’” (2021)Isis in a Global Empire (2022)Iron keys from the Roman Province of Iudaea/Palaestina: a typological and technological study (2025)Provenancing ancient pigments: Lead isotope analyses of the copper compound of egyptian blue pigments from ancient mediterranean artefacts (2017)Trace compounds in Early Medieval Egyptian blue carry information on provenance, manufacture, application, and ageing (2021)Making and working Egyptian blue – a review of the archaeological evidence (2023)
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References

  • 2009The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging177 cited
  • 2014The Palmyra Portrait Project63 cited
  • 1949The Jewellery of Palmyra and Its Significance30 cited
  • 2016Egyptian blue: modern myths, ancient realities28 cited
  • 2014The Tomb of the Three Brothers in Palmyra: The Use of Mimetite, A Rare Yellow Pigment, in A Rich Decoration23 cited
  • 2008Post-capture data analysis as an aid to the interpretation of ultraviolet-induced fluorescence images18 cited
  • 2015The “Beauty of Palmyra” and Qasr Abjad (Palmyra): new discoveries in the archive of Harald Ingholt13 cited
  • 2020The rarest blue: An exceptional find of lapis lazuli in the polychromy of a funerary portrait from ancient Palmyra9 cited

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