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A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice
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A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice (1965)A Chronology of the Works of Guillaume Du…Guillaume Du Fay (2019)Guillaume Du FayDifferent Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music (2000)Different Strokes for Differe…Contenance angloise andaccidentals in some motets by Du Fay (1997)Contenance angloise andaccide…Notes on Guillaume Du Fay's Last Works (1995)Notes on Guillaume Du Fay's L…Dissonance Placement and Stylistic Change in the Fifteenth Century: Tinctoris's Rules and Dufay's Practice (1989)Dissonance Placement and Styl…The relationship of perfect and imperfect time in Italian theory of the Renaissance (1985)The relationship of perfect a…The Relative Speed of Tempora in the Period of Dufay (1981)The Relative Speed of Tempora…A lost guide to Tinctoris's teachings recovered (1981)A lost guide to Tinctoris's t…The Performance of Dufay's Paraphrase Kyries (1975)The Performance of Dufay's Pa…Stylistic Inconsistencies in a Kyrie Attributed to Dufay (1975)Stylistic Inconsistencies in …Das einstimmige Kyrie des lateinischen Mittelalters (1955)The Origins of the Modern Roman Liturgy (1962)Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese (1966)The Notation of Polyphonic Music, 900-1600 (1950)A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice (1966)Studies in Medieval and Renaissance Music (2018)The logic of scientific discovery (1959)The Logic of Scientific Discovery. (1959)The New Grove dictionary of music and musicians (2001)The evolution of rhythmic notation (2002)The mensura of φ in the works of Du Fay (2006)The Collected Poems of Dylan Thomas (1945)Dufay at Cambrai: Discoveries and Revisions (1975)The Early Career of Guillaume Du Fay (1993)Pater optime:Vergilian Allusion in Obrecht'sMille quingentis (2001)Polyphonia Sacra. A Continental Miscellany of the Fifteenth Century (1964)Die Musik in Konstanz während des Konzils 1414-1418 (1966)The Origin and Early History of Proportion Signs (1988)The Basic Works of Aristotle (1941)Source Readings in Music History (1950)Die Musik in Geschichte und Gegenwart (1989)Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition (2018)"Pseudo-Augmentation" in the Manuscript Bologna, Civico Museo Bibliografico Musicale, Q 15 (BL) (1982)Handwörterbuch der musikalischen Terminologie, 30 (2002)The Notation of Polyphonic Music, 900-1600 (1943)Studies in Music History: Essays for Oliver Strunk (1969)The New Grove Dictionary of Music and Musicians (1981)Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music (2010)Sacrorum Conciliorum Nova, Et Amplissima Collectio (1960)The Cambridge History of Western Music Theory (2002)Medieval Music and the Art of Memory (2005)On Compositional Process in the Fifteenth Century (1987)Dufay's "Nuper rosarum flores", King Solomon's Temple, and the Veneration of the Virgin (1994)A comparison of automated methods for the analysis of style in fifteenth-century song intabulations (2006)
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Cited by

  • 1981A lost guide to Tinctoris's teachings recovered17 cited
  • 1995Notes on Guillaume Du Fay's Last Works16 cited
  • 1981The Relative Speed of Tempora in the Period of Dufay12 cited
  • 2000Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music11 cited
  • 1997Contenance angloise andaccidentals in some motets by Du Fay9 cited
  • 1985The relationship of perfect and imperfect time in Italian theory of the Renaissance8 cited
  • 1975The Performance of Dufay's Paraphrase Kyries7 cited
  • 1975Stylistic Inconsistencies in a Kyrie Attributed to Dufay6 cited
  • 2019Guillaume Du Fay5 cited
  • 1989Dissonance Placement and Stylistic Change in the Fifteenth Century: Tinctoris's Rules and Dufay's Practice4 cited

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