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Lo Duca and Dreyer: Baroque Music, Extant Recordings, and Aleatoric Synchrony
5 references·0 citing·15 second hop
Lo Duca and Dreyer: Baroque Music, Extant Recordings, and Aleatoric Synchrony (2020)Lo Duca and Dreyer: Baroque Music, Extant…The Composer and the Studio (2016)The Composer and the StudioSynchronized Music: The Influence of Pantomime on Moving Pictures (2015)Synchronized Music: The Influ…Film Rhythm after Sound (2014)Film Rhythm after SoundTheory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) (2013)Theory and Practice in Erdman…Music—Drastic or Gnostic? (2004)Music—Drastic or Gnostic?Lipstick traces: a secret history of the twentieth century (1990)Analysing Musical Multimedia (1998)Choreomusical Conversations: Facing a Double Challenge (2011)Actor-Networks in Music History: Clarifications and Critiques (2014)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)D.W. Griffith and the origins of American narrative film: the early years at Biograph (1991)The transformation of cinema, 1907-1915 (1991)Silent film sound (2005)Story and Discourse: Narrative Structure in Fiction and Film (1979)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Narratology: introduction to the theory of narrative (1998)Materializing Film Music (2016)MovieScape (2019)Baroque Music in Post-War Cinema (2021)Frame by Frame: A Materialist Aesthetics of Animated Cartoons (2018)
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References

  • 2004Music—Drastic or Gnostic?550 cited
  • 2013Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927)35 cited
  • 2014Film Rhythm after Sound23 cited
  • 2015Synchronized Music: The Influence of Pantomime on Moving Pictures12 cited
  • 2016The Composer and the Studio3 cited

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