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Gender, Schaffensprozess und musikalische Analyse. Clara Schumanns Drei gemischte Chöre (1848)
4 references·0 citing·15 second hop
Gender, Schaffensprozess und musikalische Analyse. Clara Schumanns Drei gemischte Chöre (1848) (2020)Gender, Schaffensprozess und musikalische…Bass-Line Melodies and Form in Four Piano and Chamber Works by Clara Wieck-Schumann (2016)Bass-Line Melodies and Form i…Towards a Narratological Analysis of the Romantic Lied: Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music (2014)Towards a Narratological Anal…Weltliche a capella-Chormusik (2006)Weltliche a capella-ChormusikRobert Schumann : eine Biographie (1984)Robert Schumann : eine Biogra…Story and Discourse: Narrative Structure in Fiction and Film (1979)Narrative Discourse: An Essay in Method (1980)The Rhetoric of Fiction (1983)Reading Music through Literature: Introduction (2017)Robert Schumann und seine Zeit (1982)Auld Lang Syne (2021)Introduction to Schenkerian Analysis (1983)Clara Schumann: The Artist and the Woman (1985)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)“You too may change” (2021)Plagal Cadences in Fanny Hensel’s Songs (2021)Songs of Travel (2021)Schumann's earliest compositions and performances (1987)Rethinking Mendelssohn (2020)The Beethoven Syndrome (2020)
this work references cited by second hop

References

  • 1984Robert Schumann : eine Biographie96 cited
  • 2006Weltliche a capella-Chormusik21 cited
  • 2016Bass-Line Melodies and Form in Four Piano and Chamber Works by Clara Wieck-Schumann19 cited
  • 2014Towards a Narratological Analysis of the Romantic Lied: Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music8 cited

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