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Defensive Discourse in Writing about Music
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Defensive Discourse in Writing about Music (2020)Defensive Discourse in Writing about MusicClassical Concert Music and Queer Listening (2013)Classical Concert Music and Q…Circuits of power, circuits of pleasure: Sexual scripting in gay men’s bottom narratives (2011)Circuits of power, circuits o…The Disciplined Subject of Musical Analysis (2004)The Disciplined Subject of Mu…Feminist Theory, Music Theory, and the Mind/Body Problem (1994)Feminist Theory, Music Theory…Analytical Fictions (1994)Analytical FictionsMasculine Discourse in Music Theory (1993)Masculine Discourse in Music …Is the Rectum a Grave? (1987)Is the Rectum a Grave?Software for People Collected Writings 1963-80 (1984)Software for People Collected…Aspects of Musical Explanation (1979)Aspects of Musical ExplanationSchenker's Conception of Musical Structure (1959)Schenker's Conception of Musi…Memoirs of Hector Berlioz (1935)Memoirs of Hector BerliozThe Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)The Constitution of Society. Outline of the Theory of Structuration (1984)Qualitative research: Methods in the social sciences (2006)“It Takes a Man to Put Me on the Bottom”: Gay Men’s Experiences of Masculinity and Anal Intercourse (2017)Sex is not a problem: The erasure of pleasure in sexual science research (2018)Gender Nonconformity and Minority Stress Among Lesbian, Gay, and Bisexual Individuals: A Meta-Analytic Review (2021)Gender Trouble: Feminism and the Subversion of Identity (1991)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)Action and Agency Revisited (2013)Loving Music Till It Hurts (2019)‘Flow Like a Waterfall’: The Metaphors of Kaluli Musical Theory (1981)What Is Abstract About The Art of Music? (1988)Contemplating Music: Challenges to Musicology (1989)Our Varying Histories and Future Potential: Models and Maps in Science, the Humanities, and in Music Theory (2011)Solutions to the “Great Nineteenth-Century Rhythm Problem” in Horowitz’s Recording of the Theme from Schumann’sKreisleriana, Op. 16, No. 2 (2012)Music’s Stubborn Enchantments (and Music Theory’s) (2018)Virgil: Aeneid Book VIII (1976)The History of Remembered Innovation: Tradition and Its Role in the Relationship between Musical Works and Their Performances (1993)The Total Work of Art in European Modernism (2011)The Question of Purpose in Music Theory: Description, Suggestion, and Explanation (2001)The Routledge Companion to Aesthetics (2005)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Sexual Dissidence (1991)Nationalisms and Sexualities (1993)Mapping US Homonormativities (2006)Models of Underlying Tonal Structure: How Can They Be Abstract, and How Should They Be Abstract? (1982)New Research Paradigms (1989)Performing Knowledge (2020)Extraordinary Measures (2011)Just Vibrations (2016)Rethinking Music Loving (2017)Noise/music and representation systems (2006)Feminised Noise and the ‘Dotted Line’ of Sonic Experimentalism (2016)ATTENDING TO ATTENDING: PERFORMING AUDIENCE PERSONAE IN CONTEMPORARY MUSIC (2022)
this work references cited by second hop

References

  • 1987Is the Rectum a Grave?1,465 cited
  • 1994Feminist Theory, Music Theory, and the Mind/Body Problem324 cited
  • 1935Memoirs of Hector Berlioz225 cited
  • 2011Circuits of power, circuits of pleasure: Sexual scripting in gay men’s bottom narratives125 cited
  • 1993Masculine Discourse in Music Theory104 cited
  • 1959Schenker's Conception of Musical Structure94 cited
  • 1984Software for People Collected Writings 1963-8088 cited
  • 1994Analytical Fictions37 cited
  • 1979Aspects of Musical Explanation27 cited
  • 2004The Disciplined Subject of Musical Analysis18 cited
  • 2013Classical Concert Music and Queer Listening9 cited

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