Chromatic modernity: color, cinema, and the media of the 1920s

Stephen McBurney

44 citations0/0 files storedEarly Popular Visual Culture

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Visual Culture and Art Theory Cinema and Media Studies

Abstract

The 1920s evokes images of chromatic spectacle, such as that in the visual intoxication of The Great Gatsby (2013) and the rich palette of Midnight in Paris (2011). Advances in digital technologies...

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 44 citations exist upstream.

References

2005A medium is always born twice …1 2013Moving Color: early film, mass culture, modernism 1935Color Consciousness

Cited by

2023Distant Viewing

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.