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The Circus and Technologies of Animation
8 references·0 citing·20 second hop
The Circus and Technologies of Animation (2020)The Circus and Technologies of AnimationThe Animated Bestiary (2019)The Animated BestiaryA New History of Animation (2016)A New History of Animation‘New’ hippodrama, or ‘old’ circus?: legacy and innovation in contemporary equestrian performance (2016)‘New’ hippodrama, or ‘old’ ci…Siegfried Kracauer's American Writings: Essays on Film and Popular Culture (2012)Siegfried Kracauer's American…Circus as Multimodal Discourse: Performance, Meaning, and Ritual (2012)Circus as Multimodal Discours…The Animated Bestiary: Animals, Cartoons, and Culture (2008)The Animated Bestiary: Animal…The Man in the Red Coat—Management in the Circus (2006)The Man in the Red Coat—Manag…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Sources of the Self: The Making of the Modern Identity (1991)Handbook of qualitative research (1999)Dependent rational animals: why human beings need the virtues (2000)Could We Know a Practice-Embodying Institution if We Saw One? (2008)Empirical Challenges in Organizational Aesthetics Research: Towards a Sensual Methodology (2008)Entertainment as an archival source for historical accounting research (2020)Rhetorics of possibility and inevitability in commercial drone tradescapes (2016)Transgressive clowns: between horror and humour (2019)Creativity in the business of circus (2020)Funny pictures: animation and comedy in studio-era Hollywood (2011)Plasmatic Nature: Environmentalism and Animated Film (2014)The Cambridge Companion to Film Music (2016)New Media: A Critical Introduction (2003)The Cinema of Attractions Reloaded (2006)Show sold separately: promos, spoilers, and other media paratexts (2010)“MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA (2014)Cinema, Trance and Cybernetics (2017)The problem of film comedy in the twenty-first century (2022)Dissecting Bambi: Multiplanar Photography, the Cel Technique, and the Flowering of Full Animation (2012)Impacts of Cartoon Animals on Human–Alloanimal Relations (2021)
this work references cited by second hop

References

  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 2008The Animated Bestiary: Animals, Cartoons, and Culture70 cited
  • 2019The Animated Bestiary57 cited
  • 2012Siegfried Kracauer's American Writings: Essays on Film and Popular Culture36 cited
  • 2006The Man in the Red Coat—Management in the Circus32 cited
  • 2012Circus as Multimodal Discourse: Performance, Meaning, and Ritual27 cited
  • 2016A New History of Animation8 cited
  • 2016‘New’ hippodrama, or ‘old’ circus?: legacy and innovation in contemporary equestrian performance5 cited

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