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Towards a queer affective economy of boys’ love in contemporary Chinese media
16 references·6 citing·31 second hop
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References

  • 2005A Brief History of Neoliberalism16,383 cited
  • 2020A Brief History of Neoliberalism9,074 cited
  • 2010The Promise of Happiness3,565 cited
  • 2004Affective Economies3,092 cited
  • 2007Crip theory: cultural signs of queerness and disability1,865 cited
  • 2007Ordinary Affects1,785 cited
  • 2006The Empire of Love: Toward a Theory of Intimacy, Genealogy, and Carnality998 cited
  • 2007Desiring China932 cited
  • 2005Made in China: Women Factory Workers in a Global Workplace923 cited
  • 2017The Right to Maim870 cited
  • 2007Desiring China: Experiments in Neoliberalism, Sexuality, and Public Culture798 cited
  • 2007Visuality and IdentitySinophone Articulations across the Pacific372 cited
  • 2006The Empire of Love324 cited
  • 2004Ugly Feelings310 cited
  • 2017The Right to Maim: Debility, Capacity, Disability247 cited
  • 2010Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols183 cited

Cited by

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2024
Inter-Asia referencing and orientalist consideration of the transnational fandom of Thai boys’ love drama in Japan
14 cited
  • 2024“It is universal love beyond homosexuality and gender difference”: critical media discourse analysis of boys’ love dramas in Japan9 cited
  • 2022When a Subculture Goes Pop: Platforms, Mavericks, and Capital in the Production of “Boys’ Love” Web Series in China9 cited
  • 2023Strategic mouthing of words: the Chinese bromance drama Word of Honor , censorship and gender stereotypes7 cited
  • 2024Masculinities in Chinese boys’ love stories: female imaginations, market forces and state influence7 cited
  • 2025Dual Exploitation and the Long Tail Effect: The Affective Labor of Chinese Real Person Slash Fan Production5 cited