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Homosexualizing “Boys Love” in China
15 references·3 citing·32 second hop
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this work references cited by second hop

References

  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 1994Adoring Audience: Fan Culture and Popular Media925 cited
  • 1993Making Things Perfectly Queer: Interpreting Mass Culture700 cited
  • 1992Enterprising women: television fandom and the creation of popular myth659 cited
  • 2002Recentering Globalization: Popular Culture and Japanese Transnationalism549 cited
  • 2002Recentering globalization : popular culture and Japanese transnationalism305 cited
  • 1998Theorizing fandom : fans, subculture, and identity242 cited
  • 2012Fantasies of Cross-dressing: Japanese Women Write Male-Male Erotica108 cited
  • 2016Loving Boys Twice as Much: Chinese Women’s Paradoxical Fandom of “Boys’ Love” Fiction77 cited
  • 2002'Strangers No More, We Sing': Filking and the Social Construction of the Science Fiction Fan Community73 cited
  • 2013Feminism, Psychoanalysis, and the Study of Popular Culture48 cited
  • 2015A Brief History of ShŌnen’ai, Yaoi, and Boys Love27 cited
  • 2017Chinese Danmei Fandom and Cultural Globalization from Below27 cited
  • 2015Representational Appropriation and the Autonomy of Desire in Yaoi/BL23 cited
  • 2017Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan

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16 cited

Cited by

  • 2024Chinese media production and fandom between queerbaiting and “survival instincts”14 cited
  • 2023Beyond a queer utopia: interrogating misogyny in transnational boys love media10 cited
  • 2023Strategic mouthing of words: the Chinese bromance drama Word of Honor , censorship and gender stereotypes7 cited