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BeyondNationaloper. For a critique of methodological nationalism in reading nineteenth-century Italian and German opera
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References

  • 2014The Transformation of the World: A Global History of the Nineteenth Century402 cited
  • 2014The transformation of the world: a global history of the nineteenth century280 cited
  • 1991Music and Musicians In Nineteenth-Century Italy135 cited
  • 1988The Nation's Image: French Grand Opera as Politics and Politicized Art103 cited
  • 2009A Cosmopolitanism of Nations99 cited
  • 2007Rossini in Restoration Paris: The Sound of Modern Life91 cited
  • 2009French Grand Opera and the Historical Imagination89 cited
  • 2011Verdi and the Germans: from unification to the Third Reich79 cited
  • 2011Performing Operas for Mozart: Impresarios, Singers and Troupes66 cited
  • 2013The Invention of Beethoven and Rossini64 cited
  • 2008Music makes the nation: nationalist composers and nation building in nineteenth-century Europe53 cited
  • 1997Arpa d'or dei fatidici vati: The Verdian patriotic chorus in the 1840s44 cited
  • 2012Italian operatic fantasies in Latin America43 cited
  • n.d.Nation and classical music from Handel to Copland38 cited
  • 2019Music in the Present Tense33 cited
  • 2014

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Between cosmopolitanism and nationhood: Italian opera in the early nineteenth century
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