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Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris
14 references·1 citing·28 second hop
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References

  • 1996Realms of Memory Rethinking the French Past829 cited
  • 2018Curtain, Gong, Steam90 cited
  • 2014From the score to the stage: an illustrated history of Continental opera production and staging65 cited
  • 2018The Melodramatic Moment, 1790-182049 cited
  • 2014Opera in the Age of Rousseau: Music, Confrontation, Realism Opera in the Age of Rousseau: Music, Confrontation, Realism . By D avid C harlton . (Cambridge Studies in Opera). Cambridge: Cambridge University Press, 2013. xxii + 414 pp., ill.41 cited
  • 2009Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime39 cited
  • 2018Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera34 cited
  • 1993Music and the French revolution33 cited
  • 2010French opera: a short history27 cited
  • 2011The Super-Enlightenment: Daring to Know Too Much The Super-Enlightenment: Daring to Know Too Much. Edited by D an E delstein . (Studies on Voltaire and the Eighteenth Century, 2010:01). Oxford: Voltaire Foundation, 2010. x + 300 pp., ill. Pb £55.00; €84.00; $111.00.25 cited
  • 2012Opera in the Age of Rousseau: Music, Confrontation, Realism19 cited
  • 1986Grétry and the growth of opéra-comique17 cited
  • 2012Staging the French Revolution: cultural politics and the Paris Opera, 1789-179414 cited
  • 2010French Opera

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  • 2023Opera as Reflected in Russian Academic Periodicals of the Last Five Years4 cited