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This work seeks an understanding of the elaboration of ceramic whistles in the community of Uayma, Yucatan. As part of the objectives, the tangible and intangible characteristics that involve the process of creating six selected aerophones from a larger sample of twelve sound artifacts were documented. The research frames the links of material culture, knowledge and technology used in the manufacture of aerophones, as well as the worldview of producers. The results of the morphology, acoustics and functionality of these artifacts are presented through an X-ray imaging study applied to the sample in order to understand the variants existing in the internal and external forms that regulate the conditions of execution, as well as the acoustics and functionality of the instrument. The present study adds, as an interpretive option, to the multiple proposals derived from the theme of production of ceramic sound artifacts for the Maya area.
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