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Matobo rock art
12 references·0 citing·47 second hop
Matobo rock art (2019)Matobo rock artLearning through practise: Cheŵa women’s roles and the use of rock art in passing on cultural knowledge (2016)Learning through practise: Ch…The context, form and significance of the MSA engraved ostrich eggshell collection from Diepkloof Rock Shelter, Western Cape, South Africa (2013)The context, form and signifi…The Social Dynamics of Aggregation and Dispersal in the Western Desert (2012)The Social Dynamics of Aggreg…No one said it would be easy. Ordering San paintings using the Harris Matrix: Dangerously fallacious? A reply to David Pearce (2012)No one said it would be easy.…The Harris matrix technique in the construction of relative chronologies of rock paintings in South Africa (2010)The Harris matrix technique i…Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa (2009)Engraved ochres from the Midd…Iconography of Termites' Nests and Termites: Symbolic Nuances of Formlings in Southern African San Rock Art (2006)Iconography of Termites' Nest…Rock art sequences in uKhahlamba-Drakensberg Park, South Africa (2004)Rock art sequences in uKhahla…Reading art, writing history: Rock art and social change in Southern Africa (1994)Reading art, writing history:…Documentation, Analysis and Interpretation: Dilemmas in Rock Art Research (1990)Documentation, Analysis and I…Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)Reconsidering the behavioral …The Painting Sequence in the Rock Art of Southern Rhodesia (1963)The Painting Sequence in the …The Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply] (1980)Style and Social Information in Kalahari San Projectile Points (1983)Anthropological Papers of the American Museum of Natural History (2007)Plants before farming: The deep history of plant-use and representation in the rock art of Australia's Kimberley region (2017)Karnatukul (Serpent’s Glen): A new chronology for the oldest site in Australia’s Western Desert (2018)Variability in the organization and size of hunter-gatherer groups: Foragers do not live in small-scale societies (2019)The !Kung San: Men, Women and Work in a Foraging Society. (1981)Advances in world archaeology (1984)Land filled with flies: a political economy of the Kalahari (1990)THE ARCHAEOLOGY OF SYMBOLS (1998)Empowering Places: Rock Shelters and Ritual Control in Farmer-Forager Interactions in the Northern Province (2000)Taking Stock (2004)A Theory of Social Comparison Processes (1954)The study of material culture today: Toward an anthropology of technical systems (1986)Signaling Theory, Strategic Interaction, and Symbolic Capital (2005)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)Emergence of Modern Human Behavior: Middle Stone Age Engravings from South Africa (2002)Those marvellous millennia: the Middle Stone Age of Southern Africa (2015)An abstract drawing from the 73,000-year-old levels at Blombos Cave, South Africa (2018)Long-distance stone transport and pigment use in the earliest Middle Stone Age (2018)Shamanism: Archaic Techniques of Ecstasy (1951)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Hunter and Habitat in the Central Kalahari Desert. (1982)Natural and Supernatural Convergences (2009)The ‘other faunivory’ revisited: Insectivory in human and non-human primates and the evolution of human diet (2014)Bees, honey and brood: southern African hunter-gatherer rock paintings of bees and bees’ nests, uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa (2015)The Elementary Forms of Religious Life (1916)The essential Peirce : selected philosophical writings (1992)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)Color Psychology: Effects of Perceiving Color on Psychological Functioning in Humans (2013)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Material anchors for conceptual blends (2005)Bodies That Matter (2011)Matobo Rock Art (2019)The motivation of learning art & culture among students in Indonesia (2020)The Role of Rock Art as a Mnemonic Device in the Memorisation of Cultural Knowledge (2022)Philosophy of Natural Science (1966)Seeing and Construing: The Making and ‘Meaning’ of a Southern African Rock Art Motif (1995)Documenting and Analyzing Rock, Paintings from Torres Strait, NE Australia, with Digital Photography and Computer Image Enhancement (2006)From A Paleolithic Art to Pleistocene Visual Cultures (Introduction to two Special Issues on ‘Advances in the Study of Pleistocene Imagery and Symbol Use’) (2006)Course in General Linguistics (2017)The Evolution of Theory, Method and Technique in Southern African Rock Art Research (2006)Hunter-Gatherers and Farmers: Some Implications of 1,800 Years of Interaction in the Maloti-Drakensberg Region of Southern Africa (2009)Unraveling rock art palimpsests through superimpositions: The definition of painting episodes in Los Toldos (southern Patagonia) as a baseline for chronology (2020)Paint and Earth: Constructing Hunter-Gatherer History in the uKhahlamba-Drakensberg, South Africa (2013)A matter of diversity? Identifying past hunter-gatherer aggregation camps through data driven analyses of rock art sites (2020)
this work references cited by second hop

References

  • 2009Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa637 cited
  • 1984Reconsidering the behavioral basis for style: A case study among the Kalahari San239 cited
  • 2013The context, form and significance of the MSA engraved ostrich eggshell collection from Diepkloof Rock Shelter, Western Cape, South Africa203 cited
  • 1994Reading art, writing history: Rock art and social change in Southern Africa124 cited
  • 1990Documentation, Analysis and Interpretation: Dilemmas in Rock Art Research69 cited
  • 2012The Social Dynamics of Aggregation and Dispersal in the Western Desert46 cited
  • 2004Rock art sequences in uKhahlamba-Drakensberg Park, South Africa27 cited
  • 2006Iconography of Termites' Nests and Termites: Symbolic Nuances of Formlings in Southern African San Rock Art23 cited
  • 2016Learning through practise: Cheŵa women’s roles and the use of rock art in passing on cultural knowledge17 cited
  • 2010The Harris matrix technique in the construction of relative chronologies of rock paintings in South Africa11 cited
  • 1963The Painting Sequence in the Rock Art of Southern Rhodesia10 cited
  • 2012No one said it would be easy. Ordering San paintings using the Harris Matrix: Dangerously fallacious? A reply to David Pearce5 cited

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