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Discussion| April 01 2020 In Defense of Solidarity Erina Duganne Erina Duganne Texas State University Erina Duganne is associate professor of art history at Texas State University. She authored The Self in Black and White: Race and Subjectivity in Postwar American Photography (University Press of New England, 2010) and coedited the exhibition catalog Beautiful Suffering: Photography and the Traffic in Pain (University of Chicago Press, 2007), among other publications. Search for other works by this author on: This Site PubMed Google Scholar Latin American and Latinx Visual Culture (2020) 2 (2): 99–103. https://doi.org/10.1525/lavc.2020.220010 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Erina Duganne; In Defense of Solidarity. Latin American and Latinx Visual Culture 1 April 2020; 2 (2): 99–103. doi: https://doi.org/10.1525/lavc.2020.220010 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentLatin American and Latinx Visual Culture Search The 1980s in the United States saw the staging of massive protests, direct actions, civil disobedience, and congressional pressure against the Reagan administration's interventionist policies and US-sponsored violence in Central America. But while this extensive organizing among grassroots, campus, church, community, and nonprofit organizations might be familiar to many people, few understand the role of art making within the struggle for human rights, economic justice, and democratic freedom in Central America. For the past six years I have been working on a book and exhibition project that explores the visual dimension of this activism through the lens of the 1984 campaign Artists Call Against US Intervention in Central America. I first came to know Artists Call through Susan Meiselas's photographs of Central America. As a photography historian, I was well acquainted with her stunning color photographs of the overthrow of the Somoza regime in Nicaragua in the late 1970s, having... You do not currently have access to this content.
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