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The impossibility of being Drake: Or, what it means to be a successful (Black) Canadian rapper
8 references·2 citing·41 second hop
The impossibility of being Drake: Or, what it means to be a successful (Black) Canadian rapper (2020)The impossibility of being Drake: Or, wha…Negotiating cultural authenticity in hip-hop: Mimicry, whiteness and Eminem (2008)Negotiating cultural authenti…Hip-Hop Honeys and Da Hustlaz (2008)Hip-Hop Honeys and Da HustlazEminem's Construction of Authenticity (2004)Eminem's Construction of Auth…WHICH BODIES MATTER? (2001)WHICH BODIES MATTER?Beat Streets in the Global Hood: Connective Marginalities of the Hip Hop Globe (2001)Beat Streets in the Global Ho…Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Authenticity Within Hip-Hop a…Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same (1991)Sounds Authentic: Black Music…Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Mapping the Margins: Intersec…Lofi Hip Hop and Community in YouTube Comments During the COVID-19 Pandemic (2024)Lofi Hip Hop and Community in…Digital Flows (2024)Digital FlowsSound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Club cultures: music, media and subcultural capital (1996)In Search of Authenticity* (2005)The Girl Hunt: Urban Nightlife and the Performance of Masculinity as Collective Activity (2007)The Concept of Authenticity: What It Means to Consumers (2021)The Black Atlantic: Modernity and Double Consciousness (1994)Playing With Fire: Cycles of Domestic Violence in Eminem and Rihanna's “Love the Way You Lie” (2012)The Location of Culture (2012)The Pop Palimpsest: Intertextuality in Recorded Popular Music (2018)Black Skin, White Masks (2023)Keeping It Real in Chinese Hip-Hop: Everyday Authenticity and Coming From the Street (2023)The History of Sexuality (1976)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Disidentifications: Queers Of Color And The Performance Of Politics (1999)Race and Genre in the Use of Sexual Objectification in Female Artists' Music Videos (2012)Sex Work in a Digital Era (2015)Race and Trends in Pornography Viewership, 1973–2016: Examining the Moderating Roles of Gender and Religion (2017)Time Passages: Collective Memory and American Popular Culture. (1991)Representation: Cultural representations and signifying practices. (1997)Routes: Travel and Translation In the Late Twentieth Century (1998)Tsotsitaal, global culture and local style: identity and recontextualisation in twenty‐first century South African townships (2009)‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea (2015)Race, SIGNS, and the Body (2020)The Rules of Sociological Method (1982)Mama's Baby, Papa's Maybe: An American Grammar Book (1987)Black looks: race and representation (1992)The “Batty” Politic: Toward an Aesthetic of the Black Female Body (2003)Confronting the Politics of Nonconforming Sexualities in Africa (2013)Feminist originalism: Intersectionality and the politics of reading (2015)Sambo: The Rise and Demise of an American Jester (1988)Embodying Difference: Issues in Dance and Cultural Studies (1993)Diasporas (1994)Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Hip-hop Realness and the White Performer (2005)Music That Represents Culture: Selecting Music with Integrity (2006)Existential authenticity and destination loyalty: Evidence from heritage tourists (2019)Critical Race Methodology: Counter-Storytelling as an Analytical Framework for Education Research (2002)The Complexity of Intersectionality (2005)Whose culture has capital? A critical race theory discussion of community cultural wealth (2005)
this work references cited by second hop

References

  • 1991Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color29,736 cited
  • 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation382 cited
  • 1991Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same258 cited
  • 2001WHICH BODIES MATTER?212 cited
  • 2004Eminem's Construction of Authenticity178 cited
  • 2008Hip-Hop Honeys and Da Hustlaz142 cited
  • 2001Beat Streets in the Global Hood: Connective Marginalities of the Hip Hop Globe108 cited
  • 2008Negotiating cultural authenticity in hip-hop: Mimicry, whiteness and Eminem41 cited

Cited by

  • 2024Digital Flows12 cited
  • 2024Lofi Hip Hop and Community in YouTube Comments During the COVID-19 Pandemic2 cited

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