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From Obsolete to Contemporary: National Pavilions and the Venice Biennale
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References

  • 1990Disjuncture and Difference in the Global Cultural Economy3,616 cited
  • 1999Conceiving and researching transnationalism1,770 cited
  • 2013Biennials of the South on the Edges of the Global64 cited
  • 2003Europe and its Historians37 cited
  • 2013On the Origins of Making Italy: Massimo D’Azeglio and ‘Fatta l’Italia, bisogna fare gli Italiani’35 cited
  • 2011Biennalization and its discontents30 cited
  • 2013Making Art Global (Part 2): 'magiciens de la Terre' 198928 cited
  • 2013‘‘Magiciens de la Terre’ and the Development of Transnational Project-Based Curating’17 cited
  • 2018“A very civil idea …” Art History, Transculturation, and World-Making – With and Beyond the Nation17 cited
  • 1995National Desires and Regional Realities in the Venice Biennale, 1895—191414 cited
  • 2016'Try what my credit can in Venice do' : the consumption of British painting at the Venice Biennale, 1895-19143 cited

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