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Cited by

• 2019Pursuing Social Justice Through Collaborative Archaeologies in Aboriginal Australia41 cited
• 2017Symbols of Power: The Firearm Paintings of Madjedbebe (Malakunanja II)22 cited
• 2019Navigating Contact: Tradition and Innovation in Australian Contact Rock Art18 cited
• 2021History Disappearing: The Rapid Loss of Australian Contact Period Rock Art12 cited
• 2017Postcards from the outside: European-contact rock art imagery and occupation on the southern Arnhem Land plateau, Jawoyn lands11 cited
• 2015The Death of the Agama Lizard: The Historical Significances of a Multi-authored Rock-art Site in the Northern Cape (South Africa)9 cited
• 2021Resistance and remembering through rock art: Contact‐period rock art in Wardaman country, Northern Australia8 cited
• 2017Art and megafauna in the Top End of the Northern Territory, Australia: Illusion or reality?7 cited
• 2017The past 500 years of rock art at Nawarla Gabarnmang, central-western Arnhem Land6 cited
• 2019Indigenising the gun – rock art depictions of firearms in the Eastern Cape, South Africa6 cited
• 2018From rock art to contemporary art: Indigenous depictions of trains, planes and automobiles5 cited
• 2024Old and New Approaches in Rock Art: Using Animal Motifs to Identify Palaeohabitats4 cited
• 2022Extraordinary Back-to-Back Human and Animal Figures in the Art of Western Arnhem Land, Australia: One of the World's Largest Assemblages