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espanolAndre Leroi-Gourhan participo en el proceso de modernizacion que experimento la prehistoria francesa a mediados del siglo XX. En este contexto trabajo para construir una ciencia prehistorica interdisciplinar que quedara incluida dentro del campo epistemologico de la etnologia. En este articulo indagamos en como afecto la aproximacion que este investigador establecio entre prehistoria y etnologia a su comprension del arte paleolitico. Esta conexion se hace especialmente significativa en la influencia que su maestro, el etnologo frances Marcel Mauss, tuvo en la conformacion de su pensamiento sobre el comportamiento artistico, y en como Andre Leroi-Gourhan traslado estas ideas al estudio y analisis del arte paleolitico. Adicionalmente discutimos la diferente acogida que tuvieron estas nuevas concepciones sobre el arte prehistorico en las tradiciones arqueologicas francesa, espanola y anglosajona. Por ultimo, discutimos si la nueva perspectiva que introdujo Leroi-Gourhan del arte prehistorico desde nociones procedentes de la etnologia puede explicarse a partir del concepto de interdisciplinariedad. EnglishAndre Leroi-Gourhan took part in the modernization process experienced by French prehistory in the midtwentieth century. In this context, he worked hard to build an interdisciplinary prehistoric science with strong links with anthropology and ethnology. In this paper, we examine how Leroi-Gourhan’s interpretation of Palaeolithic art was shaped by his understanding of the relationships between prehistory and ethnology. This is particularly evident, for instance, in the influence that French ethnologist Marcel Mauss exerted upon Leroi-Gourhan’s thinking on artistic behavior. Similarly, Andre Leroi-Gourhan understanding of Palaeolithic art was grounded on a number of ethnological ideas. Additionally, we discuss the reception that these new conceptions of prehistoric art had in French, Spanish and Anglo-Saxon archaeological traditions. Finally, we examine whether the new perspective of prehistoric art that Leroi-Gourhan introduced in the 1960s can be examined with reference to the concept of interdisciplinarity.
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