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Introduction to Special Issue: The Politics of Musical Knowledge in the Soviet Union and Beyond (1930s−1980s)
16 references·0 citing·29 second hop
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References

  • 2001Provincializing Europe: Postcolonial Thought and Historical Difference9,551 cited
  • 2020Music Theory and the White Racial Frame359 cited
  • 1980How We Got into Analysis, and How to Get out257 cited
  • 2016Classics for the Masses111 cited
  • 2016Stalin's Music Prize105 cited
  • 2016Classics for the Masses: Shaping Soviet Musical Identity under Lenin and Stalin51 cited
  • 1995Write All These down: Essays on Music32 cited
  • 2017Music, Art and Diplomacy: East-West Cultural Interactions and the Cold War32 cited
  • 1994Musorgsky: Eight Essays and an Epilogue26 cited
  • 1988The theory of music in Russia and the Soviet Union, ca. 1650--195024 cited
  • 2017Diversity, Tokenism, Non-Canonical Musics, and the Crisis of the Humanities in U.S. Academia23 cited
  • 1986Russian Theoretical Thought in Music20 cited
  • 2012Rethinking Octatonicism16 cited
  • 2016The Recomposition of Aram Khachaturian’s Spartacus at the Bolshoi Theater, 1958–19688 cited
  • 2018An Inclusive History for a Divided World?8 cited
  • 2019On the Russian Concept of Lād, 1830–1945

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