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‘Being a horror fan and being a feminist are often a conflicting business’: Feminist horror, the opinion economy and Teeth’s gendered audiences
11 references·0 citing·50 second hop
‘Being a horror fan and being a feminist are often a conflicting business’: Feminist horror, the opinion economy and Teeth’s gendered audiences (2020)‘Being a horror fan and being a feminist …Post-postfeminism?: new feminist visibilities in postfeminist times (2016)Post-postfeminism?: new femin…Camp Horror and the Gendered Politics of Screen Violence: Subverting the Monstrous-Feminine inTeeth(2007) (2016)Camp Horror and the Gendered …Digital housekeepers and domestic expertise in the networked home (2015)Digital housekeepers and dome…#Safetytipsforladies: Feminist Twitter Takedowns of Victim Blaming (2015)#Safetytipsforladies: Feminis…Animation and Automation – The Liveliness and Labours of Bodies and Machines (2012)Animation and Automation – Th…'DON'T BLAME THIS ON A GIRL': Female rape-revenge films (2012)'DON'T BLAME THIS ON A GIRL':…Monster Pains: Masochism, Menstruation, and Identification in the Horror Film (2005)Monster Pains: Masochism, Men…?It Can Happen to You?: Rape Prevention in the Age of Risk Management (2004)?It Can Happen to You?: Rape …AIDS References in the Critical Reception of David Cronenberg: "It May Not Be Such a Bad Disease after All" (2003)AIDS References in the Critic…WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)WHY HORROR? THE PECULIAR PLEA…Film Bodies: Gender, Genre, and Excess (1991)Film Bodies: Gender, Genre, a…The History of Sexuality, Volume 1: An Introduction. (1979)The Foucault Effect: Studies in Governmentality (1991)Feminists Theorize the Political (2013)Sexual Violence and Its Discontents (2014)“Never Go Out Alone”: An Analysis of College Rape Prevention Tips (2015)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Visual Pleasure and Narrative Cinema (1975)The Constitution of Society. Outline of the Theory of Structuration (1984)Pornographies of Violence? Internet Spectatorship on Body Horror (2008)(Why) Do You Like Scary Movies? A Review Of The Empirical Research On Psychological Responses To Horror Films (2010)Digital play: a new classification (2016)Home is where the heart is: studies in melodrama and the woman's film (1988)Hard core: power, pleasure, and "the frenzy of the visible" (1990)What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11 (2004)The Corporeal Image (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Policing Desire: Pornography, AIDS and the Media (1987)Studies in Entertainment: Critical Approaches to Mass Culture (1987)Post-Theory. Reconstructing Film Studies (1997)Epidemics, public health workers, and ‘heroism’ in cinematic perspective (2021)Toward a New Feminist Theory of Rape (2002)Memes in Digital Culture (2013)Rape Culture and the Feminist Politics of Social Media (2014)Visual Intimacy on Social Media: From Selfies to the Co-Construction of Intimacies Through Shared Pictures (2016)Driving Change on Twitter: A Corpus-Assisted Discourse Analysis of the Twitter Debates on the Saudi Ban on Women Driving (2018)Introduction to the Special Issue: Toward “Digital Leisure Studies” (2018)Family Television: Cultural Power and Domestic Leisure (1986)The Second Shift: Working Parents and the Revolution at Home (1990)Modernity and Self-Identity: Self and Society in the Late Modern Age. (1992)Digital householding: calculating and moralizing domestic life through homemade spreadsheets (2018)Smart Home Masculinities (2022)When Smart Technologies Enter Household Practices: The Gendered Implications of Digital Housekeeping (2022)Meeting the Universe Halfway (2007)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Vibrant Matter (2010)Feminist geographies of digital work (2016)Queering code/space: the co-production of socio-sexual codes and digital technologies (2017)Automation interrupted: How autonomous vehicle accidents transform the material politics of automation (2018)Against Interpretation and Other Essays (1966)The horrors of white male innocence inIT(2017) (2019)Agents of Chaos: The Monstrous Feminine in Killing Eve (2021)Under Western Eyes: Feminist Scholarship and Colonial Discourses (1988)The Cultural Politics of Emotion (2013)The Cultural Politics of Emotion (2014)The affective, cultural and psychic life of postfeminism: A postfeminist sensibility 10 years on (2017)#MeToo and the promise and pitfalls of challenging rape culture through digital feminist activism (2018)Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation (2019)Flex-rated! Female bodybuilding: feminist resistance or erotic spectacle? (2008)Mutations and Metamorphoses: Body Horror is Biological Horror (2012)Cash Flow: The businesses of menstruation (2022)
this work references cited by second hop

References

  • 1991Film Bodies: Gender, Genre, and Excess1,241 cited
  • 2016Post-postfeminism?: new feminist visibilities in postfeminist times748 cited
  • 1997WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE128 cited
  • 2004?It Can Happen to You?: Rape Prevention in the Age of Risk Management91 cited
  • 2015#Safetytipsforladies: Feminist Twitter Takedowns of Victim Blaming87 cited
  • 2015Digital housekeepers and domestic expertise in the networked home82 cited
  • 2012Animation and Automation – The Liveliness and Labours of Bodies and Machines70 cited
  • 2005Monster Pains: Masochism, Menstruation, and Identification in the Horror Film63 cited
  • 2016Camp Horror and the Gendered Politics of Screen Violence: Subverting the Monstrous-Feminine inTeeth(2007)26 cited
  • 2003AIDS References in the Critical Reception of David Cronenberg: "It May Not Be Such a Bad Disease after All"17 cited
  • 2012'DON'T BLAME THIS ON A GIRL': Female rape-revenge films9 cited

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