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THE TRAVELS OF PHOTOGRAPHS WITHIN THE GLOBAL IMAGE MARKET. HOW MONOPOLISATION, INTERCONNECTEDNESS, AND DIFFERENTIATION SHAPE THE ECONOMICS OF PHOTOGRAPHY
16 references·0 citing·49 second hop
THE TRAVELS OF PHOTOGRAPHS WITHIN THE GLOBAL IMAGE MARKET. HOW MONOPOLISATION, INTERCONNECTEDNESS, AND DIFFERENTIATION SHAPE THE ECONOMICS OF PHOTOGRAPHY (2020)THE TRAVELS OF PHOTOGRAPHS WITHIN THE GLO…When corporations come to define the visual politics of gender (2016)When corporations come to def…Image Brokers (2016)Image BrokersUnequal Representation and Gender Stereotypes in Image Search Results for Occupations (2015)Unequal Representation and Ge…Sharing the small moments: ephemeral social interaction on Snapchat (2015)Sharing the small moments: ep…Rethinking Photojournalism: The Changing Work Practices and Professionalism of Photojournalists in the Digital Age (2014)Rethinking Photojournalism: T…The politics of wire service photography: Infrastructures of representation in a digital newsroom (2012)The politics of wire service …Social Ties and User Content Generation: Evidence from Flickr (2012)Social Ties and User Content …THE IMPACT OF CROWDFUNDING ON JOURNALISM (2011)THE IMPACT OF CROWDFUNDING ON…Flickr and the culture of connectivity: Sharing views, experiences, memories (2010)Flickr and the culture of con…Emotional Archives: Online Photo Sharing and the Cultivation of the Self (2010)Emotional Archives: Online Ph…Towards Produsage: Futures for User-Led Content Production (2006)Towards Produsage: Futures fo…The image factory: consumer culture, photography and the visual content industry (2004)The image factory: consumer c…Between the Net and the Deep Blue Sea (Rethinking the Traffic in Photographs) (2002)Between the Net and the Deep …Inside the image factory: stock photography and cultural production (2001)Inside the image factory: sto…The Traffic in Photographs (1981)The Traffic in PhotographsGeographische Zeitschrift (1895)Geographische ZeitschriftCommunication as Culture: Essays on Media and Society (1992)Textual poachers : television fans & participatory culture (1992)The wisdom of crowds: why the many are smarter than the few and how collective wisdom shapes business, economies, societies and nations (2004)CROWDFUNDING AND NON-PROFIT MEDIA (2012)The Benefits of Online Crowdfunding for Fund‐Seeking Business Ventures (2014)From friendfunding to crowdfunding: Relevance of relationships, social media, and platform activities to crowdfunding performance (2017)Gatewatching: Collaborative Online News Production (2005)Produsage : Towards a Broader Framework for User-Led Content Creation (2007)The Future Is User-Led: The Path towards Widespread Produsage (2007)young children’s play in online virtual worlds (2010)Orality and Literacy (1982)Stress, social support, and the buffering hypothesis. 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References

  • 1895Geographische Zeitschrift812 cited
  • 2015Sharing the small moments: ephemeral social interaction on Snapchat553 cited
  • 2015Unequal Representation and Gender Stereotypes in Image Search Results for Occupations509 cited
  • 2006Towards Produsage: Futures for User-Led Content Production392 cited
  • 1981The Traffic in Photographs244 cited
  • 2010Flickr and the culture of connectivity: Sharing views, experiences, memories217 cited
  • 2012Social Ties and User Content Generation: Evidence from Flickr177 cited
  • 2004The image factory: consumer culture, photography and the visual content industry149 cited
  • 2011THE IMPACT OF CROWDFUNDING ON JOURNALISM143 cited
  • 2001Inside the image factory: stock photography and cultural production67 cited
  • 2012The politics of wire service photography: Infrastructures of representation in a digital newsroom63 cited
  • 2016Image Brokers62 cited
  • 2014Rethinking Photojournalism: The Changing Work Practices and Professionalism of Photojournalists in the Digital Age57 cited
  • 2002Between the Net and the Deep Blue Sea (Rethinking the Traffic in Photographs)45 cited
  • 2010Emotional Archives: Online Photo Sharing and the Cultivation of the Self

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37 cited
  • 2016When corporations come to define the visual politics of gender32 cited
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