SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes
16 references·1 citing·32 second hop
The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes (2020)The Aesthetics of Imperfection Reconceive…Jazz and the Philosophy of Art (2018)Jazz and the Philosophy of ArtOxford Handbook of Critical Improvisation Studies (2016)Oxford Handbook of Critical I…Beyond the score: music as performance (2014)Beyond the score: music as pe…The Imaginary Museum Of Musical Works (2007)The Imaginary Museum Of Music…Aesthetics and Music (2007)Aesthetics and MusicThe Cambridge companion to jazz (2003)The Cambridge companion to ja…Jazz as cultural practice (2003)Jazz as cultural practiceImprovisation as ‘Other’: Creativity, Knowledge and Power – The Case of Iranian Classical Music (2003)Improvisation as ‘Other’: Cre…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…The art of improvisation and the aesthetics of imperfection (2000)The art of improvisation and …Great Contemporary Pianists Speak for Themselves (1991)Great Contemporary Pianists S…On Musical Improvisation (1984)On Musical ImprovisationTHOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH (1974)THOUGHTS ON IMPROVISATION: A …On Certainty (1969)On CertaintyGrove's Dictionary of Music and Musicians (1955)Grove's Dictionary of Music a…Tractatus Logico-Philosophicus (1923)Tractatus Logico-PhilosophicusImprovisation as a Method of Composition: Reconciling the Dichotomy (2022)Improvisation as a Method of …Culture: the anthropologists' account (2000)Breaking away from set patterns of thinking: Improvisation and divergent thinking (2013)Musical improvisation and health: a review (2014)Improvisation facilitates divergent thinking and creativity: Realizing a benefit of primary school arts education. (2015)Culture and Imperialism (2017)Music: A Very Short Introduction (2021)Place as Historically Contingent Process: Structuration and the Time-Geography of Becoming Places (1984)Truth (1998)Introduction: Toward an Integrative View of Identity (2011)Cognitive Processes in Improvisation (1984)Decision support for improvisation in response to extreme events: Learning from the response to the 2001 World Trade Center attack (2005)A Cognitive Model of Improvisation in Emergency Management (2007)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Music, health, and well-being: A review (2013)Musical choices during group free improvisation: A qualitative psychological investigation (2015)Mapping visions of improvisation pedagogy in music education research (2019)Methodological solipsism considered as a research strategy in cognitive psychology (1980)From Apology to Utopia: The Structure of International Legal Argument (1990)Contemporary debates in epistemology (2005)The End of Early Music (2007)Explaining Creativity (2023)The Complexity of Improvisation and the Improvisation of Complexity: Social Science, Art and Creativity (2003)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)Classical music as enforced Utopia (2016)Dimensions of Musical Creativity (2020)Resonanzaffine Musikvermittlung. Ein dynamisches Modell für starke Musikerlebnisse (2023)Classical and Romantic Performing Practice (2025)Introduction: The Philosophy of Sounds and Auditory Perception (2009)Musical pluralism and the science of music (2015)Philosophy of Linguistics (2019)
this work references cited by second hop

References

  • 1923Tractatus Logico-Philosophicus2,608 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1969On Certainty2,140 cited
  • 2014Beyond the score: music as performance623 cited
  • 2007The Imaginary Museum Of Musical Works352 cited
  • 2016Oxford Handbook of Critical Improvisation Studies223 cited
  • 1974THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH216 cited
  • 1984On Musical Improvisation195 cited
  • 2007Aesthetics and Music152 cited
  • 2003Improvisation as ‘Other’: Creativity, Knowledge and Power – The Case of Iranian Classical Music110 cited
  • 2003The Cambridge companion to jazz88 cited
  • 2018Jazz and the Philosophy of Art69 cited
  • 1955Grove's Dictionary of Music and Musicians58 cited
  • 2000The art of improvisation and the aesthetics of imperfection53 cited
  • 2003Jazz as cultural practice42 cited
  • 1991Great Contemporary Pianists Speak for Themselves40 cited

Cited by

  • 2022

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Improvisation as a Method of Composition: Reconciling the Dichotomy
4 cited