SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
On Experiencing Installation Art
9 references·1 citing·34 second hop
On Experiencing Installation Art (2020)On Experiencing Installation ArtImmaterial (2022)ImmaterialA Philosophy of Cinematic Art (2010)A Philosophy of Cinematic ArtA philosophy of cinematic art (2010)A philosophy of cinematic artArtworks as Historical Individuals (2003)Artworks as Historical Indivi…Installation and Sculpture (2001)Installation and SculptureFrom Margin to Center: The Spaces of Installation Art (2000)From Margin to Center: The Sp…Painting as an Art (1989)Painting as an ArtPainting as an Art (1987)Painting as an ArtPassages in Modern Sculpture (1978)Passages in Modern SculpturePredicting emotional responses in interactive art using Random Forests: a model grounded in enactive aesthetics (2025)Predicting emotional response…Is There a Text in This Class? The Authority of Interpretive Communities (1983)Hamlet on the holodeck: the future of narrative in cyberspace (1997)The Language of New Media (2002)Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography (2008)Cinema, Philosophy, Bergman: On Film as Philosophy (2009)Cinema and the embodied mind: metaphor and simulation in understanding meaning in films (2017)The Problems of Philosophy (1999)Musical Works and Performances (2001)The Primacy of Practice in the Ontology of Art (2009)Art and its Objects (2015)Choreography Invisible (2020)There Are No Such Things As Theories (2020)A circumplex model of affect. (1980)Affective Computing (1997)Emotion recognition using deep learning approach from audio–visual emotional big data (2018)Death at Work: A Case Study on Constitutive Blanks in Nineteenth-Century Painting (1985)Methods and models in pictorial semiotics (1988)The Cambridge History of Modernism (2017)When a bus met a museum: following artists, curators and workers in art installation (2003)Dirty Media: Tom McCarthy and the Afterlife of Modernism (2012)Installation Art and the Museum (2013)Art and Intention (2005)Self to Self: Selected Essays (2020)Photography, cinema and medium as social practice (2009)The Role of Sculpture in Communicating Archaeology in Museums (2013)Installation Art and the Question of Aesthetic Autonomy: Juliane Rebentisch and the Beholder's Share (2020)Growing the image: Generative AI and the medium of gardening (2024)Tool, Collaborator, or Participant: AI and Artistic Agency (2024)Empathy and Identification in Cinema (2010)Video Games as Self-Involving Interactive Fictions (2016)Games (2020)Framing the Gift: The Politics of the Siphnian Treasury at Delphi (2001)Neuroimaging and Inferential Distance (2008)Choral Constructions in Greek Culture (2021)
this work references cited by second hop

References

  • 1978Passages in Modern Sculpture283 cited
  • 2010A Philosophy of Cinematic Art261 cited
  • 1989Painting as an Art254 cited
  • 2000From Margin to Center: The Spaces of Installation Art173 cited
  • 2003Artworks as Historical Individuals163 cited
  • 1987Painting as an Art140 cited
  • 2010A philosophy of cinematic art137 cited
  • 2022Immaterial27 cited
  • 2001Installation and Sculpture21 cited

Cited by

  • 2025Predicting emotional responses in interactive art using Random Forests: a model grounded in enactive aesthetics5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work