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Activate, collaborate, participate: The network revolutions of riot grrrl-affiliated music worlds
14 references·0 citing·50 second hop
Activate, collaborate, participate: The network revolutions of riot grrrl-affiliated music worlds (2020)Activate, collaborate, participate: The n…Punk and the city: A history of punk in Bandung (2017)Punk and the city: A history …‘Refusing to Be a Man’: Gender, feminism and queer identity in the punk culture (2016)‘Refusing to Be a Man’: Gende…Connecting the Dots: Riot Grrrls, Ladyfests, and the International Grrrl Zine Network (2012)Connecting the Dots: Riot Grr…Voice, place and genre in popular song performance1 (2011)Voice, place and genre in pop…Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture (2011)Grunge, Riot Grrrl and the Fo…The Sound of Berlin: Subculture and the Global Music Industry (2010)The Sound of Berlin: Subcultu…Queer Punk Macha Femme: Leslie Mah’s Musical Performance in Tribe 8 (2010)Queer Punk Macha Femme: Lesli…The man whose web expanded: Network dynamics in Manchester's post/punk music scene 1976–1980 (2008)The man whose web expanded: N…The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia (2008)The Englishness of English Pu…Homophily, Cultural Drift, and the Co-Evolution of Cultural Groups (2007)Homophily, Cultural Drift, an…“Riot Grrrl Is . . .”: (2004)“Riot Grrrl Is . . .”:What's that Smell? (2003)What's that Smell?Birds of a Feather: Homophily in Social Networks (2001)Birds of a Feather: Homophily…Riot Grrrl: Revolutions from within (1998)Riot Grrrl: Revolutions from …Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Black Atlantic: Modernity and Double Consciousness (1994)Globalization: The Human Consequences (1998)Language change, social change, sociolinguistic change: A meta‐commentary (2014)Rihanna Works Her Multivocal Pop Persona: A Morpho-syntactic and Accent Analysis of Rihanna's Singing Style (2017)Text-linguistic analysis of performed language: revisiting and re-modeling Koch and Oesterreicher (2021)Distinction: A Social Critique of the Judgement of Taste. (1985)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Cultural activism and the politics of place-making (2013)‘Stop Being a Tourist!’ New Dynamics of Urban Tourism in B erlin‐ K reuzberg (2014)Cultural and creative clusters – a systematic literature review and a renewed research agenda (2018)Distinction: A Social Critique of the Judgement of Taste* (2018)Subculture: The Meaning of Style. (1981)Subculture: The Meaning of Style (1995)Edge of Empire (2002)Loaded pistols: the interplay of social intervention and anti-aesthetic tradition in learning disabled performance (2010)Punk, ação e contradição em Portugal. Uma aproximação às culturas juvenis contemporâneas* (2013)The Cambridge Companion to the Rolling Stones (2019)The Strength of Weak Ties (1973)Cultural Holes: Beyond Relationality in Social Networks and Culture (2010)The spontaneous emergence of conventions: An experimental study of cultural evolution (2015)Why Do Liberals Drink Lattes? (2015)Diffusion of Innovations 1 (2019)Foundations of social theory (1990)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Gatekeeper search and selection strategies: Relational and network governance in a cultural market (2011)Worlds, Fields and Networks: Becker, Bourdieu and the Structures of Social Relations (2011)Human behavior and the principle of least effort (1949)Informal social communication. (1950)Structural Holes (1992)The Network Paradigm in Organizational Research: A Review and Typology (2003)E Pluribus Unum : Diversity and Community in the Twenty‐first Century The 2006 Johan Skytte Prize Lecture (2007)Friendship and mobility (2011)The inoperative community (1990)The Queen of America Goes to Washington City (1997)Whither Materialism? Althusser/Darwin (2015)Affects, Bodies and Desire: ‘Queering’ Methods and Methodologies to Research Queer Migration (2016)The politics of holding: home and LGBT visibility in contested Jerusalem (2016)After the Great Divide (1986)Time Passages: Collective Memory and American Popular Culture. (1991)Theories of social remembering (2003)‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock (2017)Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music’s past (2018)Sexual harassment and violence at Australian music festivals: Reporting practices and experiences of festival attendees (2020)The Micro Potential for Social Change: Emotion, Consciousness, and Social Movement Formation (2002)Girl wide web : girls, the Internet, and the negotiation of identity (2005)‘I was the special ed. girl’: urban working‐class young women of colour (2009)From Riot Grrrls to roller derby? Exploring the relations between gender, music and sport (2011)Writing Resistance in Roller Derby (2013)The pain and pleasure of roller derby: Thinking through affect and subjectification (2014)
this work references cited by second hop

References

  • 2001Birds of a Feather: Homophily in Social Networks18,551 cited
  • 2007Homophily, Cultural Drift, and the Co-Evolution of Cultural Groups455 cited
  • 2003What's that Smell?185 cited
  • 1998Riot Grrrl: Revolutions from within155 cited
  • 2010The Sound of Berlin: Subculture and the Global Music Industry94 cited
  • 2008The man whose web expanded: Network dynamics in Manchester's post/punk music scene 1976–198088 cited
  • 2011Voice, place and genre in popular song performance185 cited
  • 2011Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture61 cited
  • 2008The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia52 cited
  • 2004“Riot Grrrl Is . . .”:42 cited
  • 2012Connecting the Dots: Riot Grrrls, Ladyfests, and the International Grrrl Zine Network23 cited
  • 2016‘Refusing to Be a Man’: Gender, feminism and queer identity in the punk culture21 cited
  • 2017Punk and the city: A history of punk in Bandung18 cited
  • 2010Queer Punk Macha Femme: Leslie Mah’s Musical Performance in Tribe 814 cited

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