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Unspittable: Long-Form Ethnographic Music Video as Cine-Ethnomusicology Research-Creation
10 references·0 citing·31 second hop
Unspittable: Long-Form Ethnographic Music Video as Cine-Ethnomusicology Research-Creation (2020)Unspittable: Long-Form Ethnographic Music…Theory for Ethnomusicology (2019)Theory for EthnomusicologyA New Philosophy of Society (2019)A New Philosophy of SocietyResearch-Creation in Music and the Arts: Towards a Collaborative Interdiscipline (2017)Research-Creation in Music an…Peircean Thought As Core Theory For A Phenomenological Ethnomusicology (2014)Peircean Thought As Core Theo…Dissensus: On Politics and Aesthetics (2010)Dissensus: On Politics and Ae…Deleuze and the Cinemas of PerformancePowers of Affection (2008)Deleuze and the Cinemas of Pe…The Corporeal Image (2005)The Corporeal ImageThe Ethnographer's Eye: Ways of Seeing in Modern Anthropology (2002)The Ethnographer's Eye: Ways …The Cinematic Griot: The Ethnography of Jean Rouch. (1993)The Cinematic Griot: The Ethn…"Ciné-Transe": The Vision of Jean Rouch: An Interview (1978)"Ciné-Transe": The Vision of …Steps to an Ecology of Mind (1973)Frame Analysis: An Essay on the Organization of Experience. (1975)The feeling of what happens: body and emotion in the making of consciousness (2000)Masculinity, Violence, and Deindividuation in Argentine Soccer Chants: The Sonic Potentials of Participatory Sounding-in-Synchrony (2018)What is Musical Meaning? Theorizing Music as Performative Utterance (2019)Interpretation, resonance, embodiment: affect theory and ethnomusicology (2020)Tropics of Discourse: Essays in Cultural Criticism (1979)The taste of ethnographic things: the senses in anthropology (1990)Film Bodies: Gender, Genre, and Excess (1991)Mobilising Visual Ethnography: Making Routes, Making Place and Making Images (2008)Multimodality, multisensoriality and ethnographic knowing: social semiotics and the phenomenology of perception (2011)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Of Mimicry and Membership: Africans and the "New World Society" (2002)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Participatory Visual and Digital Research in Action (2016)Fontes visuais, cultura visual, história visual: balanço provisório, propostas cautelares (2003)Qualitative methods: touchy, feely, look-see? (2003)Investigating Musical Performance (2020)Cross-Cultural Collaboration in Popular Music (2024)Rethinking music's status as adaptation versus technology: a niche construction perspective (2016)Alan Lomax’s Cantometrics Project (2018)Engaged Activist Research (2021)Assemblages and Actor‐networks: Rethinking Socio‐material Power, Politics and Space (2015)The Logic of Connective Action: Digital Media and the Personalization of Contentious Politics (2016)What is co-creation? An interactional creation framework and its implications for value creation (2017)Thinking Beyond Humanitarian Borders (2016)Institutioning: Participatory Design, Co-Design and the public realm (2017)The Anthropology of the Future (2019)Representing ‘Things to Come’: Feeling the Visions of Future Technologies (2010)Soul of the Documentary (2015)Soul of the Documentary: Framing, Expression, Ethics (2015)
this work references cited by second hop

References

  • 2010Dissensus: On Politics and Aesthetics2,419 cited
  • 2019A New Philosophy of Society1,495 cited
  • 2005The Corporeal Image515 cited
  • 1993The Cinematic Griot: The Ethnography of Jean Rouch.169 cited
  • 2008Deleuze and the Cinemas of PerformancePowers of Affection114 cited
  • 2002The Ethnographer's Eye: Ways of Seeing in Modern Anthropology97 cited
  • 2019Theory for Ethnomusicology69 cited
  • 2014Peircean Thought As Core Theory For A Phenomenological Ethnomusicology46 cited
  • 2017Research-Creation in Music and the Arts: Towards a Collaborative Interdiscipline21 cited
  • 1978"Ciné-Transe": The Vision of Jean Rouch: An Interview17 cited

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