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Airshafts, Loudspeakers, and the Hip Hop Sample: Contexts and African American Musical Aesthetics
0 references·9 citing·36 second hop
Airshafts, Loudspeakers, and the Hip Hop Sample: Contexts and African American Musical Aesthetics (2004)Airshafts, Loudspeakers, and the Hip Hop …Listening to the video: Hip Hop videography and Rural Black Aesthetics (2022)Listening to the video: Hip H…The emergence and historical decay of the mash up (2017)The emergence and historical …Theoretical Approaches to Quotation in Hip-Hop Recordings (2014)Theoretical Approaches to Quo…HIP-HOP HABITUS v.2.0 (2014)HIP-HOP HABITUS v.2.0»Chop that record up!« (2012)»Chop that record up!«So Contagious: Hybridity and Subcultural Exchange in Hip-Hop's Use of Indian Samples (2011)So Contagious: Hybridity and …Musical borrowing in hip-hop music : theoretical frameworks and case studies (2010)Musical borrowing in hip-hop …MOSTLY THA VOICE? ZUM VERHÄLTNIS VON BEAT, SOUND UND STIMME IM HIPHOP (2009)MOSTLY THA VOICE? ZUM VERHÄLT…(De)constructing Yiddishland: Solomon and SoCalled'sHipHopKhasene (2007)(De)constructing Yiddishland:…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The Invention of Tradition (1986)The Forms of Capital (2002)Russian Hip Hop and the War in Ukraine (2024)Black Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Lyotard, Jean-François (1995)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The imaginary museum of musical works: an essay in the philosophy of music (1993)Global Noise: Rap and Hip‐Hop outside the USA. (2003)‘‘ HipHopKhasene : a Marriage between Hip hop and Klezmer’’ (2011)Sampling and Jewishness: A Short History of Jewish Sampling and its Relationship with Hip-Hop (2016)The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Four Essays (1982)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Sample magic: (conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production (2019)‘Just be Easy, Feel the Music’ – Branding in the Musical and Social Life of Kampala’s Hip-hop Scene (2021)Embodied Expression in Popular Music (2024)Introduction: commodities and the politics of value (1986)The Social Life of Things (1988)Identity : community, culture, difference (2003)Music and the racial imagination (2000)Can't Stop Won't Stop: A History of the Hip-Hop Generation (2005)Making beats: the art of sample-based hip-hop (2005)The role of mashup music in creating Web 2.0’s democratic promise (2021)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Lenin and Philosophy and Other Essays (1971)The Logic of Practice (1990)Bringing Dance Back to the Center in Hamilton (2018)Flipping the Academic Discourse: Reflections on Corporeal Knowledge and Gender Negotiations in Breaking (2023)Acts of Identity: Creole-Based Approaches to Language and Ethnicity (1985)Dumping in Dixie: Race, Class, and Environmental Quality. (1991)In the Break: The Aesthetics of the Black Radical Tradition (2004)African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms (1980)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Some Thoughts on the Work in Popular Music (2000)
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Cited by

  • 2014Theoretical Approaches to Quotation in Hip-Hop Recordings37 cited
  • 2014HIP-HOP HABITUS v.2.035 cited
  • 2007(De)constructing Yiddishland: Solomon and SoCalled'sHipHopKhasene7 cited
  • 2011So Contagious: Hybridity and Subcultural Exchange in Hip-Hop's Use of Indian Samples6 cited
  • 2017The emergence and historical decay of the mash up6 cited
  • 2010Musical borrowing in hip-hop music : theoretical frameworks and case studies6 cited
  • 2012»Chop that record up!«4 cited
  • 2022Listening to the video: Hip Hop videography and Rural Black Aesthetics3 cited
  • 2009MOSTLY THA VOICE? ZUM VERHÄLTNIS VON BEAT, SOUND UND STIMME IM HIPHOP2 cited

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