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The Ashgate Research Companion to Experimental Music
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The Ashgate Research Companion to Experimental Music (2017)The Ashgate Research Companion to Experim…A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century (2019)A Scene Without A Name: Indie…Notes on Adorno’s ‘Musical Material’ During the New Materialisms (2018)Notes on Adorno’s ‘Musical Ma…From psychogeography to hanging‐out‐knowing: Situationistdérivein nonrepresentational urban research (2018)From psychogeography to hangi…The Textility of Marking: Performers’ Annotations as Indicators of the Creative Process in Performance (2017)The Textility of Marking: Per…Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: (2014)Indeterminacy, Free Improvisa…The Silent Network—The Music of Wandelweiser (2011)The Silent Network—The Music …Testing the Consequences—Multipart Series in the Work of the Wandelweiser Composers (2011)Testing the Consequences—Mult…Stille Musik—Wandelweiser and the Voices of Ontological Silence (2011)Stille Musik—Wandelweiser and…Archaeology of Knowledge (1970)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Reassembling the Social (2005)Being and Time (1927)Existence and Existents (1978)Writing and Difference (1980)Art as Art: The Selected Writings of Ad Reinhardt (1975)Experimental Music: Cage and Beyond (1975)Improvisation: Its Nature And Practice In Music (1980)The pasteurization of France (1988)THE MUSIC OF LAURENCE CRANE AND A POST-EXPERIMENTAL PERFORMANCE PRACTICE (2015)“We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff (2020)Improvisation, Indeterminacy, and Ontology: Some Perspectives on Music and the Posthumanities (2021)Outsiders; studies in the sociology of deviance (1963)The Field of Cultural Production: Essays on Art and Literature (1996)Capital in the Twenty-First Century (2014)The Rise and Fall of “Indie Classical”: Tracing a Controversial Term in Twenty-First Century New Music (2018)Gender Trouble: Feminism and the Subversion of Identity (1991)The Creative Mind (2004)Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving (2022)The Perception of the Environment (2002)Affective atmospheres (2009)Being Alive (2011)“Looking with intention”: using photographic essays as didactical tool to explore Berlin (2019)Aesthetics of zero tolerance (2019)Cultural Geography I: Mediums (2021)Nomadic subjects: embodiment and sexual difference in contemporary feminist theory (1995)Volatile bodies: toward a corporeal feminism (1995)Vibrant Matter: A Political Ecology of Things (2010)INTRODUCTIONMusical Materialisms (Plural) (2020)Of Sound and Flavour – Revisiting the Notion of Material for the Cultural Sociological Analysis of Art Domains (2020)A Daoist Pedagogy Encountering New Materialism in Art Education (2021)
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  • 2018From psychogeography to hanging‐out‐knowing: Situationistdérivein nonrepresentational urban research35 cited
  • 2011The Silent Network—The Music of Wandelweiser25 cited
  • 2018Notes on Adorno’s ‘Musical Material’ During the New Materialisms20 cited
  • 2014Indeterminacy, Free Improvisation, and the Mixed Avant-Garde:16 cited
  • 2011Stille Musik—Wandelweiser and the Voices of Ontological Silence15 cited
  • 2011Testing the Consequences—Multipart Series in the Work of the Wandelweiser Composers15 cited
  • 2017The Textility of Marking: Performers’ Annotations as Indicators of the Creative Process in Performance14 cited
  • 2019A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century7 cited

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