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The Clementi-Beethoven Contract of 1807: A Reinvestigation
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The Clementi-Beethoven Contract of 1807: A Reinvestigation (2002)The Clementi-Beethoven Contract of 1807: …Beethoven 1806 (2019)Beethoven 1806Towards a bibliometric analysis of the surviving record, 1701–1800 (2009)Towards a bibliometric analys…The Stationers’ Company and the almanack trade (2009)The Stationers’ Company and t…The reprint trade (2009)The reprint tradeThe morphology of the page (2009)The morphology of the pageThe industrialization of the paper trade (2009)The industrialization of the …The Cambridge History of the Book in Britain (2009)The Cambridge History of the …The book as a commodity (2009)The book as a commodityReligious publishing (2009)Religious publishingPrinted ephemera (2009)Printed ephemeraNewspapers and the sale of books in the provinces (2009)Newspapers and the sale of bo…Introduction (2009)IntroductionCopyright, authors and censorship (2009)Copyright, authors and censor…Children’s books and school-books (2009)Children’s books and school-b…‘Radical publishing’ (2009)‘Radical publishing’A Treatise of Human Nature (1739)The Making of the English Working Class. (1966)Language, Counter-Memory, Practice: Selected Essays and Interviews (1978)A wider sociolinguistic perspective (2018)Conservative and progressive individuals (2018)Members only: the Victorian gentlemen’s club as a space for doing business 1843–1900 (2019)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Monopoly power in the eighteenth-century British book trade (2017)The Printing Press as an Agent of Change (1980)The Nature of the Book (1998)“There Is No Such Man as Isaack Bickerstaff”: Partridge, Pittis, and Jonathan Swift (2011)THE LONGEVITY OF ‘EPHEMERA’ (2011)Dead poets' property—how does copyright influence price? (2018)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Musicking: the meanings of performing and listening (1999)The Cambridge Companion to the Eroica Symphony (2020)Who Listens? (2025)Leaving the printer to his liberty: (2013)A Quantitative Approach to Book-Printing in Sweden and Finland, 1640–1828 (2018)A National Public Sphere? Analyzing the Language, Location, and Form of Newspapers in Finland, 1771–1917 (2019)
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Cited by

  • 2009The Cambridge History of the Book in Britain105 cited
  • 2009Towards a bibliometric analysis of the surviving record, 1701–180061 cited
  • 2009The book as a commodity45 cited
  • 2009Children’s books and school-books43 cited
  • 2019Beethoven 180636 cited
  • 2009The reprint trade29 cited
  • 2009Copyright, authors and censorship28 cited
  • 2009Newspapers and the sale of books in the provinces19 cited
  • 2009‘Radical publishing’17 cited
  • 2009The Stationers’ Company and the almanack trade17 cited
  • 2009Introduction17 cited
  • 2009The industrialization of the paper trade16 cited
  • 2009Religious publishing16 cited
  • 2009The morphology of the page15 cited
  • 2009Printed ephemera14 cited

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