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Children’s Troupes: Dramatic Illusion and Acting Style
9 references·3 citing·27 second hop
Children’s Troupes: Dramatic Illusion and Acting Style (1969)Children’s Troupes: Dramatic Illusion and…George Chapman (1966)George ChapmanAntonio and Mellida (1965)Antonio and MellidaJohn Lyly: The Humanist as Courtier. (1964)John Lyly: The Humanist as Co…John Marston, Satirist (1963)John Marston, SatiristSamuel Johnson on Shakespeare (1960)Samuel Johnson on ShakespeareThe Growth and Structure of Elizabethan Comedy. (1956)The Growth and Structure of E…Shakespeare & the popular dramatic tradition (1948)Shakespeare & the popular dra…The Complete Works (1943)The Complete WorksThe Plays of John Marston (1935)The Plays of John Marston‘A Kind of Woman’: The Elizabethan Boy-Actor and the Kabuki Onnagata (1987)‘A Kind of Woman’: The Elizab…Actor, Maschera, and Role: An Approach to Irony in Performance (1982)Actor, Maschera, and Role: An…The Changeling: Notes on Mannerism in Dramatic Form (1975)The Changeling: Notes on Mann…Still Harping on Daughters: Women and Drama in the Age of Shakespeare (1984)The Shakespearean Stage 1574–1642 (2009)The Origin of Sound Patterns in Vocal Tract Constraints (1983)Forbidden Words: Taboo and the Censoring of Language (2006)Cultural Differences in Expectations of Change and Tolerance for Contradiction: A Decade of Empirical Research (2010)John Marston’s Histriomastix and the Golden Age (1972)Disgust c . 1600 (2014)Malcontented Iago and Revenge Tragedy Conventions in Othello (2019)Classical standards in the period (2000)Religion and literature (2000)The transformation of rhetoric (2000)"The Widow's Tears" and the Other Chapman (1960)The Suicide of Volpone (1969)Carnival and the Institutions of Theater in Elizabethan England (1983)Comic, tragic, or absurd? On some parallels between the farces of Joe Orton and seventeenth‐century tragedy (1978)Puritanic rationalism: John Berger's ways of seeing and media and culture studies (1989)Early Modern Mobility: Players, Payments, and Patrons (2005)Problem Fathers in Shakespeare and Renaissance Drama (2012)Queen Elizabeth I: Representations of the Virgin Queen (1990)Taking the Pencil out of God's Hand: Art, Nature, and the Face-Painting Debate in Early Modern England (1993)The Structural Transformation of Print in Late Elizabethan England (2003)Widows and Suitors in Early Modern English Comedy (2004)The Banquet of the Common Sense: George Chapman’s Anti-Epyllion (2014)Homer and Greek tragedy in early modern England's theatres: an introduction (2016)Antonio’s Revenge: “Never more woe in lesser plot was found” (1972)Wives, Courtesans, and the Economics of Love in Jacobean City Comedy (1973)Writing and Revenge: John Marston's Histriomastix (2002)
this work references cited by second hop

References

  • 1943The Complete Works982 cited
  • 1964John Lyly: The Humanist as Courtier.106 cited
  • 1960Samuel Johnson on Shakespeare104 cited
  • 1966George Chapman76 cited
  • 1956The Growth and Structure of Elizabethan Comedy.38 cited
  • 1948Shakespeare & the popular dramatic tradition31 cited
  • 1935The Plays of John Marston20 cited
  • 1965Antonio and Mellida19 cited
  • 1963John Marston, Satirist14 cited

Cited by

  • 1987‘A Kind of Woman’: The Elizabethan Boy-Actor and the Kabuki Onnagata6 cited
  • 1975The Changeling: Notes on Mannerism in Dramatic Form5 cited
  • 1982Actor, Maschera, and Role: An Approach to Irony in Performance4 cited

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