‘These stories have to be told’

Abstract

In the late 1980s and early 1990s, Los Angeles gave rise to Chicano rap, a subgenre of gangster rap that uniquely incorporated transcultural signifiers of music and language. Key characteristics included ‘oldie’ and Chicano rock samples, multilingual lyrics and the proclamation of Brown pride. The lyrics treated gang violence, police brutality and daily life in the varrio (’hood), thus articulating the artists’ alienation from white America. While strongly identifying with both LA and their Mexican heritage, artists like (Kid) Frost created a brand-new music style that inspired a whole generation of bilingual rappers. Considering Chicano rap as historical source provides a deeper understanding of the issues Mexican-American youth in the US have been facing up to the present day. On the basis of (Kid) Frost’s music this article will trace cultural and social topics as well as musical features that mirror the resurfacing of Chicano consciousness and identity during the 1990s.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 2 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.