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CONCERNING “THE PHOTOGRAPHIC”
16 references·0 citing·29 second hop
CONCERNING “THE PHOTOGRAPHIC” (2008)CONCERNING “THE PHOTOGRAPHIC”What Do Pictures Want? (2005)What Do Pictures Want?Carnal Thoughts (2004)Carnal ThoughtsPresent Pasts (2003)Present PastsCamera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…The Skin of the Film (2000)The Skin of the FilmDifference and repetition (1994)Difference and repetitionTechniques of the observer: on vision and modernity in the nineteenth century (1991)Techniques of the observer: o…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…Hard core: power, pleasure, and "the frenzy of the visible" (1990)Hard core: power, pleasure, a…Between Memory and History: Les Lieux de Mémoire (1989)Between Memory and History: L…Noise: The Political Economy of Music (1986)Noise: The Political Economy …Cinema I (1986)Cinema IVisual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…THEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)The Standard Edition of the C…Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)Seeing Ourselves Through Technology (2014)Film Bodies: Gender, Genre, and Excess (1991)Fifty Key Concepts in Gender Studies (2004)Aggression and Sexual Behavior in Best-Selling Pornography Videos: A Content Analysis Update (2010)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Human geography without scale (2005)New Materialism: Interviews & Cartographies (2012)Learned helplessness in humans: Critique and reformulation. (1978)Self-discrepancy: A theory relating self and affect. (1987)Illusion and well-being: A social psychological perspective on mental health. (1988)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (2015)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Club cultures: music, media and subcultural capital (1996)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)On the Emergence of Memory in Historical Discourse (2000)Handbook of Interview Research (2001)Trauma and the Memory of Politics (2003)Classification as Culture: Types and Trajectories of Music Genres (2008)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Religious Reason and Secular Affect: An Incommensurable Divide? (2009)Theorizing the image for Security Studies (2011)How images make world politics: International icons and the case of Abu Ghraib (2014)
this work references cited by second hop

References

  • 1953The Standard Edition of the Complete Psychological Works of Sigmund Freud17,815 cited
  • 1991Postmodernism, or, The cultural logic of late capitalism9,331 cited
  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1994Difference and repetition6,750 cited
  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1989Between Memory and History: Les Lieux de Mémoire5,156 cited
  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 1986Noise: The Political Economy of Music1,625 cited
  • 1990Hard core: power, pleasure, and "the frenzy of the visible"1,584 cited
  • 2005What Do Pictures Want?1,505 cited
  • 1986Cinema I1,503 cited
  • 2003Present Pasts1,381 cited
  • 2004Carnal Thoughts1,319 cited
  • 2000The Skin of the Film1,317 cited
  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited

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