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Practices of Music Education in Gurukul and Related Systems
16 references·1 citing·30 second hop
Practices of Music Education in Gurukul and Related Systems (2020)Practices of Music Education in Gurukul a…A Reflection on the Aesthetics of Indian Music, With Special Reference to Hindustani Raga-Sangita (2016)A Reflection on the Aesthetic…Musicking Bodies: Gesture and Voice in Hindustani Music (2012)Musicking Bodies: Gesture and…What Happened to Indian Music Theory? Indo-Occidentalism? (2008)What Happened to Indian Music…The Guru Recontextualized? Perspectives on Learning North Indian Classical Music in Shifting Environments for Professional Training (2007)The Guru Recontextualized? Pe…Hindustani music: a tradition in transition (2006)Hindustani music: a tradition…Two Men and Music (2005)Two Men and MusicTwo men and music : nationalism in the making of an Indian classical tradition (2005)Two men and music : nationali…Time in Indian music : rhythm, metre, and form in North Indian rāg performance (2001)Time in Indian music : rhythm…Nād : understanding rāga music (1998)Nād : understanding rāga musicInvolving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad (1994)Involving the Performers in T…Music and musical thought in early India (1993)Music and musical thought in …Music and Musical Thought in Early India (1992)Music and Musical Thought in …A concise dictionary of Indian philosophy: Sanskrit terms defined in English (1990)A concise dictionary of India…Philosophy Of Music (1987)Philosophy Of MusicSome Aspects of Cultural Policies in India (1978)Some Aspects of Cultural Poli…The Thirteen Principal Upanishads. (1922)The Thirteen Principal Upanis…Rāgs Around the Clock (2024)Rāgs Around the ClockMusic Matters: A New Philosophy of Music Education (1996)Cultural diversity in music education: Directions and challenges for the 21st century (2005)Guru logics (2012)12. Texts and Tellings: Kathas in the Fifteenth and Sixteenth Centuries (2015)9. Listening for the Context: Tuning in to the Reception of Riti Poetry1 (2015)Music: A Very Short Introduction (2021)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)A reassessment of the relationship between text, speech tone, melody, and aria structure in Beijing Opera (1999)Improvisation: methods and models (2001)Generalized Representations of Musical Time and Periodic Structures (2011)Temporal Transformations in Cross-Cultural Perspective. Augmentation in Baroque, Carnatic and Balinese Music (2022)Outline of a Theory of Practice. (1980)Metaphors We Live By (2003)Gesture Visible Action as Utterance (2004)Anthropology and Voice (2014)Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class (2017)The conductor’s intensity gestures (2020)Action, Criticism and Theory for Music Education (2004)In the Absence of Reliable Ghosts: Sexuality, Historiography, South Asia (2014)Tellings and Texts (2015)Time, Gesture and Attention in a Khyāl Performance (2007)Making Time: Temporality, History, and the Cultural Object (2015)Phenomenology in Anthropology: A Sense of Perspective (2015)The Buddhist Notion of Emptiness and its Potential Contribution to Psychology and Psychotherapy (2008)Musical Structure, Performance and Meaning: The Case of a Stick-Dance from Nepal (2006)Sonic Liturgy: Ritual and Music in Hindu Tradition (2011)WHAT DOES MYSTICISM HAVE TO TEACH US ABOUT CONSCIOUSNESS (1998)Holy Cow! The Apotheosis of Zebu, or Why the Cow Is Sacred in Hinduism (2000)Between History and Historiography: The Origins of Classical Kuchipudi Dance (2013)Tabla Tuning on the Workshop Stage: Toward a Materialist Musical Ethnography (2014)
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References

  • 2005Two Men and Music208 cited
  • 1992Music and Musical Thought in Early India127 cited
  • 2012Musicking Bodies: Gesture and Voice in Hindustani Music119 cited
  • 2005Two men and music : nationalism in the making of an Indian classical tradition104 cited
  • 1993Music and musical thought in early India66 cited
  • 2001Time in Indian music : rhythm, metre, and form in North Indian rāg performance64 cited
  • 1922The Thirteen Principal Upanishads.64 cited
  • 1990A concise dictionary of Indian philosophy: Sanskrit terms defined in English61 cited
  • 1994Involving the Performers in Transcription and Analysis: A Collaborative Approach to Dhrupad50 cited
  • 2007The Guru Recontextualized? Perspectives on Learning North Indian Classical Music in Shifting Environments for Professional Training36 cited
  • 1978Some Aspects of Cultural Policies in India35 cited
  • 1987Philosophy Of Music21 cited
  • 2006Hindustani music: a tradition in transition18 cited
  • 1998Nād : understanding rāga music17 cited
  • 2016A Reflection on the Aesthetics of Indian Music, With Special Reference to Hindustani Raga-Sangita16 cited

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2008
What Happened to Indian Music Theory? Indo-Occidentalism?
12 cited

Cited by

  • 2024Rāgs Around the Clock6 cited