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The security captor, captured. Digital cameras, visual politics and material semiotics
16 references·0 citing·39 second hop
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References

  • 1986Laboratory Life: The Social Construction of Scientific Facts2,980 cited
  • 1982Laboratory life: The social construction of scientific facts2,883 cited
  • 2008Actor Network Theory and Material Semiotics1,927 cited
  • 1987Gramophone, Film, Typewriter1,176 cited
  • 1992On Technical Mediation592 cited
  • 1986Kino-Eye: The Writings of Dziga Vertov503 cited
  • 2012Visualisation and Cognition: Drawing Things Together406 cited
  • 2018Visual Global Politics273 cited
  • 2012Securitizing images: The female body and the war in Afghanistan199 cited
  • 2004Horrific Blindness: Images of Death in Contemporary Media171 cited
  • 1998The engine of visualization: thinking through photography137 cited
  • 2019Visual security studies: sights and spectacles of insecurity and war46 cited
  • 2011The Surprising Detritus of Leisure: Encountering the Late Photography of War40 cited
  • 2009Soldier photography: visualising the war in Iraq34 cited
  • 2020Engagement all the way down32 cited
  • 2017Video, algorithms and security: How digital video platforms produce post-sovereign security articulations

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