Judith Leyster: A Study of Extraordinary Expression

Nicole J Cardinale

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Historical Art and Architecture Studies Historical Art and Culture Studies Visual Culture and Art Theory

Abstract

Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.

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References

1965Lives of the Artists 1999Academies, Museums and Canons of Art 1994Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist 1994Woman's Capacity to Create: The Unusual Case of Sofonisba Anguissola 2018Martine van Elk, Early Modern Women’s Writing: Domesticity, Privacy, and the Public Sphere in England and the Dutch Republic 1996French painting in the seventeenth century 1993Geertruydt Roghman and the Female Perspective in 17th-Century Dutch Genre Imagery 2015Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics.

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