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Tuning forks as time travel machines: pitch standardisation and historicism
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References

  • 1995Trust in Numbers1,425 cited
  • 2009Standards and their stories: how quantifying, classifying, and formalizing practices shape everyday life523 cited
  • 1995International Organization and Industrial Change: Global Governance since 1850, by Craig N. Murphy497 cited
  • 1952Journal of the Royal Society of Arts: 1852–1952436 cited
  • 2009The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms271 cited
  • 1993The rise of musical classics in eighteenth-century England: a study in canon, ritual, and ideology129 cited
  • 2004The Morals of Measurement109 cited
  • 2002A History of Performing Pitch: The Story of 'A'98 cited
  • 2006Harmonious Triads94 cited
  • 2006Interpreting the musical past: early music in nineteenth-century France89 cited
  • 1984La musique ancienne in the Waning of the Ancien Régime80 cited
  • 2016Sonic Time Machines78 cited
  • 2019Engineering Rules: Global Standard Setting since 188056 cited
  • 1998Physics Laboratories and the Victorian Country House51 cited
  • 2013The Notation Is Not the Music: Reflections on Early Music Practice and Performance27 cited

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1987
The Origin of the Tuning Fork
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