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Knowledge worlds apart: Aesthetic experience as an epistemological boundary object
6 references·0 citing·13 second hop
Knowledge worlds apart: Aesthetic experience as an epistemological boundary object (2020)Knowledge worlds apart: Aesthetic experie…The Seductions of Darwin (2017)The Seductions of DarwinMeetings with complexity: Dementia and participation in art educational situations (2017)Meetings with complexity: Dem…The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847-1873 (2011)The Idea of a Scientific Disc…Production of presence: what meaning cannot convey (2004)Production of presence: what …Alois Riegl: art history and theory (1994)Alois Riegl: art history and …Forms of Respect: Alois Riegl's Concept of Attentiveness (1989)Forms of Respect: Alois Riegl…Three American painters : Kenneth Noland, Jules Olitski, Frank Stella (1965)Minimal Art : A Critical Anthology (1968)Mikhail Bakhtin: The Dialogical Principle (1985)The Classification of the Visual Arts in the Renaissance (1991)Aesthetics as Philosophy of Perception (2016)Innovative Upcycling: The Creative Potential of Collaborating with Degraded Materials (2024)From the culture of spolia to the cult of relics: the Arch of Constantine and the genesis of late antique forms (2000)The Dubious Inheritance of Touch: Art History and Museum Access (2006)The Schenker Project (2007)1 Constitutional Amendments: “Materializing” Organizational Communication (2009)The Accomplishment of Authority Through Presentification (2009)Towards an epistemology of consumer culture theory (2011)Evolutionary Approaches to Creativity (2019)
this work references cited by second hop

References

  • 2004Production of presence: what meaning cannot convey1,215 cited
  • 1994Alois Riegl: art history and theory86 cited
  • 1989Forms of Respect: Alois Riegl's Concept of Attentiveness33 cited
  • 2011The Idea of a Scientific Discipline: Rudolf von Eitelberger and the Emergence of Art History in Vienna, 1847-187318 cited
  • 2017The Seductions of Darwin17 cited
  • 2017Meetings with complexity: Dementia and participation in art educational situations1 cited

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