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Mixing realities: reflections on presence and embodiment in intermedial performance design ofBlue Hour VR
12 references·0 citing·31 second hop
Mixing realities: reflections on presence and embodiment in intermedial performance design ofBlue Hour VR (2020)Mixing realities: reflections on presence…Scenography Expanded (2016)Scenography ExpandedIntermedial Shakespeares on European Stages (2014)Intermedial Shakespeares on E…Immersive Theatres (2013)Immersive TheatresMapping Intermediality in Performance (2011)Mapping Intermediality in Per…Presence in Play (2008)Presence in PlayIntermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships (2008)Intermediality in Theatre and…Intermediality in Theatre and Performance (2006)Intermediality in Theatre and…Culture, Language and Representation (2000)Culture, Language and Represe…Communication in the age of virtual reality (1995)Communication in the age of v…A Thousand Plateaus: Capitalism and Schizophrenia (1989)A Thousand Plateaus: Capitali…Phenomenology of Perception (1982)Phenomenology of PerceptionPHENOMENOLOGY OF PERCEPTION (1963)PHENOMENOLOGY OF PERCEPTIONThe Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society (1989)On Collective Memory (1992)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Discourse Analysis as Theory and Method (2002)The Practice Turn in Contemporary Theory (2005)3.2. MARXISM AND LITERATURE (2006)The Principles of Psychology (1891)Spectres and Spectators: The Poly-Technologies of the Pepper’s Ghost Illusion (2013)Performance Constellations: Memory and Event in Digitally Enabled Protests in the Americas (2014)New ways of seeing, feeling, being: intimate encounters in virtual reality performance (2020)The Presentation of Self in Everyday Life (2023)Neurophysiological mechanisms underlying the understanding and imitation of action (2001)Qualitative Research Designs (2007)Using the framework method for the analysis of qualitative data in multi-disciplinary health research (2013)Group and Interpersonal Effects in International Computer-Mediated Collaboration (1997)The role of social presence in establishing loyalty in e-Service environments (2006)Interactivity in multimedia learning: An integrated model (2010)Empathy: Its ultimate and proximate bases (2002)In support of creative subtitling: contemporary context and theoretical framework (2013)LA INTERMEDIALIDAD EN EL SIGLO XXI (2013)Algorithms and Interoperability between Drama and Artificial Intelligence (2019)Evaluations of im/politeness of an intercultural apology (2011)It Is Not Only What You Say, It Is Also How You Say It: The Strategic Use of Campaign Sentiment (2019)How to Study Art Worlds : On the Societal Functioning of aesthetic Values (2009)The Cambridge Companion to Opera Studies (2012)Decolonizing Immersion (2016)Narrative as virtual reality 2: revisiting immersion and interactivity in literature and electronic media (2019)Shakespeare, Spectatorship and the Technologies of Performance (2020)Introduction: Theatre and Spectrality (2014)Research and practice in Voice Studies: searching for a methodology (2015)Becoming small: Concepts and methods of interdisciplinary practice in theatre for early years (2019)
this work references cited by second hop

References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 1982Phenomenology of Perception11,940 cited
  • 1963PHENOMENOLOGY OF PERCEPTION2,884 cited
  • 1995Communication in the age of virtual reality458 cited
  • 2013Immersive Theatres236 cited
  • 2006Intermediality in Theatre and Performance227 cited
  • 2011Mapping Intermediality in Performance97 cited
  • 2008Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships94 cited
  • 2008Presence in Play64 cited
  • 2000Culture, Language and Representation56 cited
  • 2014Intermedial Shakespeares on European Stages54 cited
  • 2016Scenography Expanded29 cited

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