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Cited by

• 2013Visible Lives: Black Gondoliers and Other Black Africans in Renaissance Venice50 cited
• 1991Contagion Theory and Contagion Practice in Fifteenth-Century Milan48 cited
• 1990Anti-Protestant Music for Sixteenth-Century Ferrara42 cited
• 2008Continuity, Long-Term Service, and Permanent Forces: A Reassessment of the Florentine Army in the Fourteenth Century40 cited
• 1990Female Solitude and Patrilineage: Unmarried Women and Widows During the Eighteenth and Nineteenth Centuries30 cited
• 2007Deciphering the diplomatic archives of fifteenth-century Italy28 cited
• 1996Elysium: A Prelude to Renaissance Theater28 cited
• 1994Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist26 cited
• 2017“Man Is Born for Society”: Confraternities and Civil Society in Eighteenth-Century Paris and Milan23 cited
• 2002Seats of Power: The Outdoor Benches of Early Modern Florence23 cited
• 2017Collecting Women: Three French Kings and Manuscripts of Empire in the Italian Wars22 cited
• 1988The First Call for Press Censorship: Niccolò Perotti, Giovanni Andrea Bussi, Antonio Moreto, and the Editing of Pliny's Natural History22 cited
• 1986Women Singers and Women’s Songs in Fifteenth-Century Italy19 cited
• 2013