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Long-term in situ non-invasive spectroscopic monitoring of weathering processes in open-air prehistoric rock art sites
16 references·2 citing·37 second hop
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References

  • 2005Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments268 cited
  • 2003Analysis of rock art painting and technology of Palaeolithic painters171 cited
  • 2013Pigment Compendium: Optical Microscopy of Historical Pigments145 cited
  • 2000Raman spectroscopic analysis of pigments and substrata in prehistoric rock art137 cited
  • 1999RED PALAEOLITHIC PIGMENTS: NATURAL HEMATITE OR HEATED GOETHITE?*129 cited
  • 2011A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa111 cited
  • 2014Conservation of prehistoric caves and stability of their inner climate: Lessons from Chauvet and other French caves102 cited
  • 2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
  • 2008The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa87 cited
  • 2014First use of portable system coupling X-ray diffraction and X-ray fluorescence for in-situ analysis of prehistoric rock art77 cited
  • 2012Non-invasive portable instrumentation to study Palaeolithic rock paintings: the case of La Peña Cave in San Roman de Candamo (Asturias, Spain)77 cited
  • 2003The vandalism of the Domboshava rock painting site, Zimbabwe: Some reflections on approaches to heritage management61 cited
  • 2014Spectroscopic characterisation of crusts interstratified with prehistoric paintings preserved in open‐air rock art shelters

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53 cited
  • 2014In situ characterization by Raman and X-ray fluorescence spectroscopy of post-Paleolithic blackish pictographs exposed to the open air in Los Chaparros shelter (Albalate del Arzobispo, Teruel, Spain)53 cited
  • 2018On-field Raman spectroscopy of Patagonian prehistoric rock art: Pigments, alteration products and substrata52 cited
  • 2001Manganese Black Pigments in Prehistoric Paintings: the Case of the Black Frieze of Pech Merle (France)51 cited
  • Cited by

    • 2023Testing recipes: an experimental approach to paint production processes in Levantine rock art (Spain)14 cited
    • 2021Micro‐Raman spectroscopy for the analysis of materials found in rock art shelters in Piedra Parada valley, Chubut province, Argentinian Patagonia10 cited