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Looking for the Past: History and Change in Traditional Music Studies in Chile (1990–2020)
16 references·0 citing·38 second hop
Looking for the Past: History and Change in Traditional Music Studies in Chile (1990–2020) (2020)Looking for the Past: History and Change …The Defence of Tradition in Brazilian Popular Music (2016)The Defence of Tradition in B…“También yo tengo mi cumbia, pero mi cumbia es chilena”: apuntes para una reconstrucción sociohistórica de la cumbia chilena desde el cuerpo (2013)“También yo tengo mi cumbia, …The Social Base of Folklore (2012)The Social Base of FolkloreSonidos de un Chile profundo: Hacia un análisis crítico del Archivo Sonoro de Música Tradicional Chilena en relación a la conformación del folclore en Chile (2011)Sonidos de un Chile profundo:…What Do Ethnomusicologists Do? An Old Question for a New Century (2009)What Do Ethnomusicologists Do…Music as social life: the politics of participation (2009)Music as social life: the pol…Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60 (2009)Canción popular, nacionalismo…The Invention of “Folk Music” and “Art Music” (2007)The Invention of “Folk Music”…The Invention of 'Folk Music' and 'Art Music': Emerging Categories from Ossian to Wagner (2007)The Invention of 'Folk Music'…Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)Sonic Transculturation, Epist…Musicology: The Key Concepts (2004)Musicology: The Key ConceptsLos problemas de la investigación del folklore musical chileno (2002)Los problemas de la investiga…5. The Practice of Everyday Life (2000)5. The Practice of Everyday L…Tradition, Genuine or Spurious (1984)Tradition, Genuine or SpuriousObjeto, métodos, técnicas de investigación en etnomusicología: algunos problemas básicos (1976)Objeto, métodos, técnicas de …La arqueología del saber (1969)La arqueología del saberThe Social System (1951)How To Do Things With Words (1975)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imaginations, Constructions and Constraints: Some Concluding Remarks on Heritage, Community and Participation (2017)Folklore and Public Archaeology in the UK (2019)The darker side of the Renaissance: literacy, territoriality, and colonization (1996)Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Provincializing Europe (2008)“Under the Bridge”: An Orientation to Soundscapes in New Orleans (2010)Soundscapes: Toward a Sounded Anthropology (2010)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Defining tradition: variations on the Hawaiian identity (1983)Ours Once More: Folklore, Ideology, and the Making of Modern Greece (1984)Genre, Intertextuality, and Social Power (1992)Rethinking authenticity in tourism experience (1999)Voices of Modernity (2003)Reflections on the Revolution in France (2018)The Developing Field of Christian Congregational Music Studies (2014)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)The orchestral revolution: Haydn and the technologies of timbre (2013)People as Infrastructure: Intersecting Fragments in Johannesburg (2004)Autoethnography: An Overview (2010)Towards a Politics of Mobility (2010)Acerca de complejidad, desigualdad social y el complejo cultural Pica-Tarapacá en los Andes Centro-Sur (1000-1450 DC) (2006)Positioning Theory and Discourse Analysis: Some Tools for Social Interaction Analysis (2008)South Atlantic Exchanges: The Role of Brazilian-Born Agents in Benguela, 1650-1850 (2013)The Oxford Handbook of Neo-Riemannian Music Theories (2011)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Non-Western national music and empire in global history: interactions, uniformities, and comparisons (2015)What Is Sociological about Music? (2010)Musical Communities: Rethinking the Collective in Music (2011)Playing to the Crowd (2019)Musicians’ Performances and Performances of "Musician" in Salvador da Bahia, Brazil (2011)Singin’ Alone (1982) nas trilhas da música gravada brasileira (2015)Gosto musical e pertencimento social: O caso do samba e do choro no Rio de Janeiro e em São Paulo (2016)
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References

  • 20005. The Practice of Everyday Life10,734 cited
  • 2009Music as social life: the politics of participation1,555 cited
  • 1969La arqueología del saber1,437 cited
  • 1984Tradition, Genuine or Spurious781 cited
  • 2007The Invention of “Folk Music” and “Art Music”265 cited
  • 2004Musicology: The Key Concepts217 cited
  • 2006Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America187 cited
  • 2007The Invention of 'Folk Music' and 'Art Music': Emerging Categories from Ossian to Wagner129 cited
  • 2012The Social Base of Folklore40 cited
  • 2016The Defence of Tradition in Brazilian Popular Music22 cited
  • 2009What Do Ethnomusicologists Do? An Old Question for a New Century17 cited
  • 2002Los problemas de la investigación del folklore musical chileno8 cited
  • 1976Objeto, métodos, técnicas de investigación en etnomusicología: algunos problemas básicos7 cited
  • 2009Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 606 cited
  • 2011Sonidos de un Chile profundo: Hacia un análisis crítico del Archivo Sonoro de Música Tradicional Chilena en relación a la conformación del folclore en Chile6 cited

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  • 2013“También yo tengo mi cumbia, pero mi cumbia es chilena”: apuntes para una reconstrucción sociohistórica de la cumbia chilena desde el cuerpo3 cited
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