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Multi-analytical investigation of panel, pigments and varnish of The Martyirdom of St. Catherine by Gaudenzio Ferrari (16th century)

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References

2007Analytical Techniques in Materials Conservation262 cited
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1970VERDIGRIS AND COPPER RESINATE144 cited
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2010Scientific Methods and Cultural Heritage: An introduction to the application of materials science to archaeometry and conservation science127 cited
1996Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy127 cited
2013‘Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: a User Manual’85 cited
1992A Note on the Use of False-Color Infrared Photography in Conservation78 cited
2013Pigments and Mixtures Identification by Visible Reflectance Spectroscopy73 cited
2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting72 cited

Cited by

2021The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades42 cited
2020Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan

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40 cited

2023A Multi-Analytical Approach for the Characterisation of Pigments from an Egyptian Sarcophagus Cover of the Late Dynastic Period: A Case Study20 cited

2022Multi-analytical Study on the Tara Thangka at Daxingshan Temple in Xi'an, Shaanxi, China11 cited