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Drumming Up an Audience
16 references·0 citing·35 second hop
Drumming Up an Audience (2020)Drumming Up an AudienceWhose cultural value? Representation, power and creative industries (2018)Whose cultural value? Represe…Everyday participation and cultural value (2016)Everyday participation and cu…The participation myth (2015)The participation mythEnriching Britain : culture, creativity and growth (2015)Enriching Britain : culture, …This is Not Art (2013)This is Not ArtThe one and the many: contemporary collaborative art in a global context (2012)The one and the many: contemp…The One and the Many (2011)The One and the ManySocial Works: Performing Art, Supporting Publics (2011)Social Works: Performing Art,…BREAD AND CIRCUSES (2011)BREAD AND CIRCUSESCreating Autoethnographies (2010)Creating AutoethnographiesBeyond the “Toolkit Approach”: Arts Impact Evaluation Research and the Realities of Cultural Policy‐Making (2010)Beyond the “Toolkit Approach”…Culture, Class, Distinction (2009)Culture, Class, DistinctionConversation Pieces: Community and Communication in Modern Art (2004)Conversation Pieces: Communit…Art and objecthood: essays and reviews (1998)Art and objecthood: essays an…Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1975)Six Years: The Dematerializat…A Ladder Of Citizen Participation (1969)A Ladder Of Citizen Participa…Cosmopolis: The Hidden Agenda of Modernity (1990)Reframing Public Policy (2003)Reframing Public Policy: Discursive Politics and Deliberative Practices (2003)Exploring cultural inclusion: Perspectives from a community arts organisation (2014)Arts and humanities research evaluation: no metrics please, just data (2015)Is it really about the evidence? argument, persuasion, and the power of ideas in cultural policy (2021)Multiculturalism (1994)Multiculturalism: Examining the Politics of Recognition. (1994)Distinction: A Social Critique of the Judgement of Taste* (2018)Devalued women, valued men: motherhood, class and neoliberal feminism in the creative media industries (2019)From Passion to Compassion: A Caring Inquiry into Creative Work as Socially Engaged Art (2020)Who cares? At what price? The hidden costs of socially engaged arts labour and the moral failure of cultural policy (2021)Artistic and activist memory-work: Approaching place-based practice (2007)Geography and art. An expanding field (2012)Passionate amateurs: theatre, communism, and love (2014)How to Conduct a Mixed Methods Study: Recent Trends in a Rapidly Growing Literature (2011)A New Model of Social Class? Findings from the BBC’s Great British Class Survey Experiment (2013)“Science capital”: A conceptual, methodological, and empirical argument for extending bourdieusian notions of capital beyond the arts (2015)Citizen Participation in Decision Making: Is It Worth the Effort? (2004)Varieties of Participation in Complex Governance (2006)Beyond Engagement and Participation: User and Community Coproduction of Public Services (2007)Art in the Information Age: Technology and Conceptual Art (2002)New Materialisms and Performance Studies (2015)The Cambridge Introduction to Postmodernism (2015)Autoethnography in Health Research (2016)Toward a Moderate Autoethnography (2016)Evolving netnography: how brand auto-netnography, a netnographic sensibility, and more-than-human netnography can transform your research (2018)Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre (2013)Towards an aesthetics of care (2015)Culture in sustainable urban development: Practices and policies for spaces of possibility and institutional innovations (2017)The use and abuse of participatory governance by populist governments (2019)Commoning Art - Die transformativen Potenziale von Commons in der Kunst (2022)The Case of Blackness (2009)The Turn to Affect: A Critique (2011)Anywhere or not at all: philosophy of contemporary art (2014)
this work references cited by second hop

References

  • 1969A Ladder Of Citizen Participation17,032 cited
  • 2009Culture, Class, Distinction1,370 cited
  • 2004Conversation Pieces: Community and Communication in Modern Art454 cited
  • 2012The one and the many: contemporary collaborative art in a global context429 cited
  • 1998Art and objecthood: essays and reviews363 cited
  • 2010Creating Autoethnographies302 cited
  • 2011Social Works: Performing Art, Supporting Publics233 cited
  • 1975Six Years: The Dematerialization of the Art Object from 1966 to 1972208 cited
  • 2010Beyond the “Toolkit Approach”: Arts Impact Evaluation Research and the Realities of Cultural Policy‐Making178 cited
  • 2018Whose cultural value? Representation, power and creative industries158 cited
  • 2016Everyday participation and cultural value129 cited
  • 2015The participation myth117 cited
  • 2011The One and the Many85 cited
  • 2015Enriching Britain : culture, creativity and growth54 cited
  • 2011BREAD AND CIRCUSES44 cited
  • 2013This is Not Art32 cited

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